Bai Xiaojun Landscape Aesthetic Perspective And Artistic Performance Research

Chinese landscape painting art has a long history, the aesthetic and artistic forms, artistic style has obvious characteristics. It down to the national property, it flows from the depths of the distant history, deep in the blood of a nation, it carries with national emotion, wisdom and moral ethics, is the historical context of vivid, is a precious intangible cultural heritage, is the root of a nation with the soul. Especially in the growth and development, and through the long history of precipitation, traditional painting art has formed a stable and powerful. This kind of traditional, construct the special aesthetic of the Chinese nation. Aesthetic plastic back with folk art, folk art reveal the ethnic aesthetic, both in conformity, are inseparable.Growth of Chinese paintings in the lijiang river basin in guangxi region, is an important component of excellent traditional culture of the Chinese nation, is the construction of socialist core values and carry forward the traditional virtues of precious cultural resources and the spiritual wealth. To dig and protect the ethnic culture gene, inheritance and carry forward the local cultural characteristic, to carry out the influential artists trajectory in ethnic areas of study, should be analyzed from different angles the aesthetic ideology, art language, and performance results.Taking Bai Xiaojun landscape painting aesthetic perspective and artistic expression as the subject, for the lijiang river basin of the artists often painted interpretation experience, explore its aesthetic creation theory foundation. By collecting and organizing a large number of relevant information, the representative works of expression and aesthetic style research, supplemented by the landscape painting creation process on site to view experience, summarizes their works from xiao-jun bai painting expression means both the lingnan school painters compromise between Chinese and foreign, ancient and modern fusion, created a XiongJin bold and unrestrained, have contemporary new style, "open", also have to shape gestalt god, to god, to fetch, in order to content the literati interest romance-"random" two big characteristics. Its absorbing application techniques, ancient and modern, Chinese and foreign painting unique aesthetic vision and composition techniques, through CunCa touched and JiMo and assignment of JiaoMo method change, different color technique, calm deep colour, smooth to use dye, composition and organization mode of mixed arrangement of point, line and plane, ink with a blank piece of aesthetic principles, fiction, and form a wild escape the diffused interest, deep harmonious valentine, borrow scene of great health message, show the work style of embellish tiancheng. His work to the southern landscape presents a bold and vigorous flow qingkuang, depressed be diffused and refrigerant and elegant aesthetic spirit, vividly reflect the mutual respect, understanding, tolerance, human and nature harmonious spirit of the people. Throughout his works borrow scene lyrical, artislic way, natural harmony, the unity of nature and connotation of the expression, summarize the painter of respecting the nature, dedication, innovation, aesthetic thought.Research on Bai Xiaojun works of art, this paper discussed from four chapters. First chapter mainly discusses the artist Bai Xiaojun background and the formation of culture, aesthetic style, its advocacy of the formation of the concept of the lijiang river basin, become the contemporary famous artists from academic accomplishment.The second chapter on artists Bai Xiaojun observation in the process of painting and creation with unique Angle of view in this performance. The author analysis the artist’s unique aesthetic perspective and the characteristic, the cause of formation of low enough to look up and appeared "view" of "the dialectical relationship between dynamic and static" and "big faint in the city" personal ideas.The third chapter analyzes to the painter’s artistic conception and language features, including the description of the artistic style and the analysis of the formation of painting language. Focus on analysis of the wild from the diffused interest style, cool style, deep and profound valentine health message borrow scene style, show embellish tiancheng creative style. Comprehensive analysis of painting techniques, language focus from ink, apply color analysis method, composition and other aspects, divided into CunCa touched the interweave, JiMo JiaoMo replacement, calm deep colour, smooth the way to use dye, mixed arrangement of organization mode, and ink with a blank piece of aesthetic principles.The fourth chapter is the painter Bai Xiaojun observation and creative way for the value and significance of contemporary landscape painting. Based on xiao-jun bai works as an example, this paper angles analyze the style characteristics of the stage on behalf of his works, and connecting with the work of another carries on the analysis comparison,makes every effort to the artist’s paintings established a multidimensional stereo. Through to the artist Bai Xiaojun aesthetic perspective and artistic performance research, aimed at situated in depth into the artist’s artistic characteristics. The style of this attention is good for the painter personal appearance and the construction of landscape painting in the contemporary context.