The Resrarch Of "Zhuang Mirror" In The Qing Dynasty Written By ZhuangYi Tian

Tian Zhuang Yi was a poet in Shanxi province trace back to the time of Kang Xi -Yong Zheng of Qing Dynasty, and her works include poem selection "Zhuang Jing". This is the only remaining and complete poetry anthology in China about Shanxi Official poet between Kang Xi-Yong Zheng of Qing Dynasty. The life experiences of Tian Zhuang Yi and Li Qing zhao in the Song Dynasty are very much alike, and her poetry style has both romantic and realistic two features, she belonged to the times during Kang Xi and Yong Zheng of the Qing Dynasty when it’s from the unrest to the prosperous period gradually. Through her poems, we can see the social life of official women poets, and feel the official poet’s journey at that time, the "Zhuang Jing" set is a true epitome of official women poets in that period.This paper from five aspects on the research of the " Zhuang Jing " set, tries to figure out the commonness and individuality of official female poets in Kang Xi-Yong Zheng of Qing Dynasty, also lay the foundation of women literature, society, life, history of thought for the further research in Kang Xi-Yong zheng of the Qing Dynasty.Introduction:there are some concise reviews for the research subjects and significance of this article.First chapter:Tian Zhuang Yi’s lifetime. Before the study of" Zhuang Jing " set, we have to understand the history of the author and her family life background, this chapter collected a lot of resources from the official history, local Chronicles and the "Zhuang Jing "set, and expound Tian Zhuang Yi’s life and her family background on the basis of collecting data, the main achievements of this paper is "the chronicle of Tian Zhuang Yi’s life", which laid a foundation for the comprehensive researching of "Zhuang Jing" set.The second chapter:the study of Zhuang Jing’s version. This chapter focuses on various contents and" Zhuang Jing’" itself frontispiece super order, preface, introduction, discussing the content and the relationship between itself and its role in the research of "Zhuang Jing" set, its purpose is to provide important references for studying the poems.The third chapter:The poetry comments of Chang San Li about "Zhuang Jing". This chapter’s researching based on the comments of Chang San Li which is from two aspects of both the form and species and the emotional intention. Chang San Li is Tian Zhuang Yi’s husband, "Zhuang Jing’s final version and publication are all made during the time that Tian Zhuang Yi had just died a few months, full of grief, and the most worthy of our attention is almost every poetry joined the comments by Chang San Li. These comments provide the original material for us to study Tian Zhuang Yi’s life, thoughts and the writing time.The fourth chapter:the working time of "Zhuang Jing" and the journey of her heart. The study of "Zhuang Jing" is mainly from two aspects in this chapter, and the work can be divided into three stages:the stage of before her marriage, the stage of she went to San Xiang after her marriage, and the stage of she went to San Xiang after her marriage. Mainly from the perspective of "Zhuang Jing" is a "poetic history" (poet reflecting social life) and a "soul history of poet " (a home to return to tend to reflect the poet heart) to discourse and analyze as a starting point.The fifth chapter:the comparison between "Zhuang Jing" and other poet works of female poet in Shanxi province. There are two purposes of putting Tian Zhuang Yi and her work in Shanxi region for comparison, the first one is the existing literature, history and academic value, the second one is to find out the social background during the growth of the female poets from Shanxi province in the Qing Dynasty and the common features, all this made a beneficial supplement for us to further contact with domestic female poet in the Qing Dynasty literature and social life, thoughts, etc.The concluding part is very short and also want to bring a question for people to think, the key words of "Zhuang Jing" is "dream", "mirror" and "void", but there was another "dream" from "Liu Meng Ge Shi Chao" written by another female poet named Kang Hui Ian from Xing County of Shan Xi province in the time of Qianlong of the Qing Dynasty, and also use the words of "dream", "mirror" in "The Dream of the Red Mansions" written by Cao Xue Qin at the time of Kang Xi-Yong Zheng-Qian Long, these same words for the group of female official poets in this period, can be said to be their literary creation, social life and the meaning of life.The "Zhuang Jing" of Tian Zhuang Yi who was from Shanxi province in the time of Kang Xi-Yong Zheng of Qing Dynasty remains until now, give us a almost empty mirror, and as it says in the preface of "Zhuang Jing", "we thought it was non-existent, it shows", "we thought it was existent, it hides.