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The New Theory Of Development Of National Vocal Music

Posted on:2015-05-12Degree:MasterType:Thesis
Country:ChinaCandidate:J L WangFull Text:PDF
GTID:2295330461985005Subject:Music
Abstract/Summary:PDF Full Text Request
With the prosperity and development of China’s construction of spiritual civilization, national vocal music also ushered in the "All flowers bloom together." Scene ", many new elements added," as a new force to lead the new trend and the new direction of the development of national vocal music. Among them, Ha Hui "new music" and the works of some young composers to Luan Kai, Hu Tingjiang as the representative of the concern for more and more musicians and popular, the new folk song concentration of foreign elements are still controversial in Gong Linna, the old Gong as the representative of a number of Foreign Composers writing as a whole the "font", as such, a warm response, mixed, but has not formed a mature view of all the. Whether these new phenomena can break the bottleneck of national vocal music for years "thousand a sound", truly become a milepost "transformation and development of Chinese national vocal music", is of great value and significance of the research to create.This paper will be the main line around the development of national vocal music to start, mainly some new works of Ha Hui’s "new music" and the young composer as an example, there is a specific analysis of the new modern national vocal music development process "". The aim of the study is to through the analysis of these is a phenomenon, objective look at the new direction of the development of national vocal music, and then make every national vocal music workers, improve and self-improvement, to add strength to the development of national vocal music. The full text is divided into five chapters, the first chapter:the new situation of main statement of the development of national vocal music; the second chapter:the new phenomenon of contemporary national vocal music development of specific analysis, research which contains the "elements"; the third chapter:Based on the collision of our national and popular music, explore the "aesthetic elements of people"; the fourth chapter:through the analysis of the "new elements", the requirements for sound on the new technology of contemporary people works; the fifth chapter:the present situation and Prospect of the development of national vocal music correctly treat.
Keywords/Search Tags:national vocal music, elements, aesthetic expectation by acoustic requirements, development prospects
PDF Full Text Request
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