Aesthetic Studies Of Death In Japanese Films

Death as the final destination of life,has always been the ultimate proposition of human thinking.Life and consciousness of irresistible innate human death makes people both full of death unknown curiosity,but also on the widely held attitude death evasive and inconsistent.In order to understand the true value and meaning of life exists,humans launch a series of studies about the death.From the religious sphere to philosophical category,to the art world,mankind through various ways, analysis of death from different angles,the passage of time,the pace is always never stop exploring.However,in this process,the film with their own unique artistic characteristics become a favorable way interpretation of death.Through different angles,different levels of review of death,and the integration of various cultural elements on this basis,expand the image to express the way for more death,so death image element has a certain aesthetic value.Audio-visual integration death under circumstances not only enrich the human cognitive death,also inspired the aesthetic expression of the art of film to enhance the humanistic value of film art. Throughout the world of film making history,the Japanese film because of its distinctive ethnic characteristics between image showing become the world an important part of the movie.On death,the Japanese filmmaker equally generous in its writing, is keen to show even death.The contents of the film’s narrative style to the image,death imagery was given a strong Japanese national aesthetic qualities,highlights a unique appreciation of psychological death and praise death.Traced,and Japanese traditional culture reveals the death cult are closely related.In addition,Japanese filmmakers conscious pursuit of death,but also affected the moviegoers attitude towards death,to help them establish a look at the beauty of life experience of death.This paper studies the death of Japanese aesthetic to expand the discussion of the film from four parts.The first part is the beauty of death. From philosophy,religion,art three areas,the impact on the Japanese aesthetic death suffered varying degrees to make a holistic comb.Meanwhile, in the scope of the study of death aesthetics,summed up the three functions movie death element.Thus the concept of death inherent in traditional Japanese culture has a basic understanding of the following films delve into the death of Japanese aesthetic groundwork.The second part of the theme of death in Japanese cinema. This paper selects representative expression of the theme of death in the film as the main object of study in Japan. By comparison, refining common, dig out the creation of Japanese film presentsthe theme of death when. Thus summarized the three representative theme of death:love and death struggle; youth encounter with death; collision liability and death.The third part is the Japanese film Death image style. Choose from death imagery,color expression of death, ritualized death presented in three areas, combined with traditional Japanese culture, national psychology, the film reveals the Japanese style image of death more in-depth research, dig out the dead in the image The expression of multiple possibilities.The fourth part is a comparative study on the death of the movie aesthetic. Japanese cinema in the cultural connotation of death is influenced by elements of traditional Chinese culture deep,will be the theme of death in the Japanese movie and image style compares to help improve the understanding of Japanese film Death elements, in between horizontal comparison can, summed up the Japanese film Death aesthetic advantages and disadvantages, bring enlightenment to Chinese films, as well as other countries of the world film making.