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Xinjiang Flower And-bird Painting Present Situation Investigation And Study

Posted on:2016-03-19Degree:MasterType:Thesis
Country:ChinaCandidate:Y X RenFull Text:PDF
GTID:2285330479975478Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
Xinjiang unique natural environment and folk style has always been favored by Chinese painters, in recent years, with the development of social economy and culture, the mainland and the cultural differences of xinjiang is increasingly narrowed, xinjiang cause of traditional Chinese painting and painting in the mainland also receive some attention, xinjiang in the traditional Chinese painting landscapes and figures in a certain extent, has made great progress, flower-and-bird paintings in xinjiang has been relatively quiet. From a historical perspective, xinjiang flower-andbird paintings in history and tradition without foundation. Xinjiang flower-bird painting, after the founding of new China to introduce a large number of talents of traditional Chinese painting, in xinjiang to rise. During this period, xinjiang painting development is in line with the national situation. Late under the influence of MAO zedong’s political thought, Chinese traditional flowers and birds painting flower-andbird paintings are required to serve some political topics, restricted by social utility,is very unfavorable to the development of flower and-bird painting in xinjiang.Coupled with the influence of geographical environment and culture in xinjiang,xinjiang flower and-bird painting development is slow, xinjiang is given priority to with characters \ "flavor\" of art. Ten years of the cultural revolution, will itself budding flower and-bird painting again into the ice in xinjiang. Until after the 1980 s,flowers and birds in xinjiang and slowly in the line of sight of people, but also a painter is engaged in the rare flower and-bird painting creation, power is still relatively weak. And there are no formed certain team and influence. Early bird painter door system in xinjiang, ShenXiLan, GuShouShan, Feng Jian et al, but the late because of work scheduling or painter personal factors, some artists from xinjiang. Until the 1990 s, represented by Deng Weidong middle flower and-bird painting rebel leader in xinjiang flower and-bird painting career began. This batch of young and middle-aged painters integrity the golden period of life, they thought is active, dare to innovation, bold practice, whether it’s creation experience or experience are now in a teach good phase, although this group is engaged in the flower and-bird painting in the creation of the painter, there is no very outstanding achievements, but in the near future will be able to make the flower and-bird painting on a new step of xinjiang, the xinjiang unique natural environment, different from inland rare different grass and animals and birds, have such a large art mineral,herald a flower and-bird painting theme contains the huge potential of xinjiang.
Keywords/Search Tags:Flower and-bird painting, Nanjing, The status duo
PDF Full Text Request
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