Heritage Research On Xianggong In Lanxian Of Shanxi Province

Xianggong is representative folk music with strong regionalfeatures in Lanxian, in the process of long-term development, formedits own unique artistic style, as time passes it become indispensablea form of folk art among local people folk custom activities. Based onthe heritage of Xianggong in Lanxian of Shanxi Province, from theperspective of folk study, by adopting the combination of literatureand field research method, teased relatively systematical andcomprehensive on the historical evolution of the Lanxian Xianggong,through the way of case study, discusses the inheritance waydiversification, folk artists of leading, keeping pace with the times ofvariability and inheriting characteristics of folk ecological diversity,and symbiosis with various local folk customs and etiquette todepend on, the intangible cultural heritage protection and other formsof folk music from the perspective development will undoubtedly haveA certain reference. The full article is divided into introduction, main body andconclusion of three parts.The first part is introduction, including thepurpose and significance of topics, research review, data sources,research methods and an overview of the Lanxian human geographyenvironment.Main body includes five chapters, the first one is thestudy of the historical evolution of the Lanxian Xianggong, mainlyfrom the origin of the Xianggong, development, and in thedevelopment process of headquarter and demonstrated thecharacteristics of the three aspects; The second chapter is theinheritance way to sort of Lanxian Xianggong, mainly from the family,society, industry margin of inheritance, the school tradition, fiveaspects discusses media inheritance; The third chapter is the studyof Lanxian Xianggong of passing on the main body, including twoaspects of inheritance and inheritance organization; The fourthchapter explain the Lanxian Xianggong inheriting characteristics,namely the diversification of inheriting ways, folk artists dominant,keep pace with the times of variability and the diversity of folkecological environment. The fifth chapter is the study in the processof inheritance of Lanxian Xianggong and the relationship between thelocal folk customs, rituals and research, mainly from the Xianggongand weddings, Lanxian Xianggong and funeral rites, and the other on asummary of folk activities. Conclusion part is the summary of full article, through the analysis of the previous five chapters, LanxianXianggong is not only the local popular a kind of folk art form, but alsoto some extent, enrich people’s spiritual world.