The Study Of Correlation Between The Yudong Folk Art And Reproduction Worship

Folk art expression of longing and yearning for a better future in the artform, to beautify your life objects and environment, is a kind of spirit and the art ofcomplementary."Reproduction worship" since ancient times are generally concernedabout the concept of culture, the original understanding and the worship ofreproduction, in the early stage of human, is a worldwide cultural phenomenon, avery wide range. As a human in their own strength first, reproduction worship of theearly human aesthetic concept of totem art, artistic technique of expression, mainlythrough metaphor, exaggeration to suggest that expression. Reproductive worshiptogether with human aesthetic tastes and beliefs, folk art since ancient times isthe key expression of the theme. The central idea of the outstanding worksof numerous to the theme of "reproduction worship" in Eastern folk art,a l t h o u g h t h e c h o i c e o f t h e s e w o r k s, t h e t h e m e a n d t h e s t y l e i sdifferent, but the collective reflection of the It is as expected given the works of thedesire for life and the propagation of the faith. The folk art in HenanProvince, including Kaifeng City, Zhou kou city and its subordinate local folkart area is summarized. This topic will be cut from the folk art in the "reproductionworship" of the theme, the Zhu xian Town woodcut New Year paintings fromKaifeng to Kaifeng and then to Huai yang embroidery, the mud mud dog, byanalyzing and summarizing all representative folk art origin, shape feature.