The Text Analysis Of Lu Xun’s Classical-Form Poetries

Lu Xun’s classical-form poetries are the research object of this article.In this respect,predecessors have made abundant achievements,but the limitations are obvious,which highlights that setting revolutionist Lu Xun and thinker Lu Xun as the preset,some of researchers have doggedly looked for corresponding relationship between Lu Xun’s classical-form poetries and China’s modern history of the revolution and Lu Xun’s thought.Frankly,part of their conclusions are resonable,but some are far-fetched.Based on that,this article chooses the literary text theory to interpret Lu Xun’s classical-form poetries and tries to restore the noumenal status and language nature of Lu Xun’s classical-form poetries.This article emphasizes that Lu Xun’s classical-form poetries are primarily a certain kind of linguistic object,and Lu Xun is primarily a literator,the immortal values of Lu Xun is primarily established on his literary works.This article includes eight parts.The first part is the introduction,which briefly states the research object relative research achievements, research significance and research methods.The second part is on the theoretical basis of interpreting Lu Xun’s classical-form poetries.In order to prove that the literary text theory is effective for interpreting Lu Xun’s classical-form poetries,this part emphatically presents the develop and change and core elements of the concept of text,then reviews and reflects the research history and modle of Lu Xun’s classical-form poetries under the perspective of text theory.The third part is about the historical background of Lu Xun’s classical-form poetries,which answers two questions:why the new literature writers creates classical-form poetries and why they vacillate between classical-form poetries and new potries.The fourth part is on the occurrence mechanism of Lu Xun’s classical-form poetries.This part mainly discusses in which situations Lu Xun created those classical-form poetries from four respects:the interpersonal communication,the appreciation state, the emotional keynote and the form creation.The fifth part is the rhyme analysis of Lu Xun’s classical-form poetries,which includes two elments:the rhyming words and antithesis.The sixth part is the image analysis of Lu Xun’s classical-form poetries.This part discusses the images of The Songs of Chu and other images.The seventh part is the intertextuality analysis of Lu Xun’s classical-form poetries. The analysis of the poetic rhyme and image is confined to the text itself,and the intertextuality analysis searches for meaning from the conversation between Lu Xun’s classical-form poetries and other texts. The last part is about the historical status of Lu Xun’s classical-form poetries,it explains what the limitation and innovation is of Lu Xun’s classical-form poetries.