Dongshou Zheng Chinese Painter Ink Art Study

Traditional Chinese ink Portrait Paintings of 20th century must be the most colorful part of the history in Chinese Painting. The ink Portrait Paintings showed the most prosperous situation in art thoughts, content, form, scale and influence at that time because of the fierce social change, the impact of the foreign art, especially, the demand of time and society After the founding of new China. With a new art form to describe reality enriches the ink Portrait Paintings. The purpose of this paper is to study and research the path of art exploration, the artistic style and the contribution to the development of Chinese figure painting of Mr. Zheng Dongshou. There are important theoretical and practical significance in the study of the development of Chinese figure painting and artist. There are four parts in this paper, the first chapter expounds the background of subject, research methods, content, research purpose and meaning, explores the factors that have a significant impact on him. The second chapter through to the Mr. Zheng Dongshou’s resume and exploration from formation to the mature stage of arts and creative experience Life path analysis, in-depth study of Mr. Zheng Dongshou’s artistic ideas and styles, analysis the importance of life With new artistic ideas, and unique style from multiple perspectives. The third chapter focuses on analyzing Mr. Zheng Dongshou’s freehand brushwork figure painting art characteristics, details the contribution to the impact of contemporary ink figure painting, and our enlightenment and guidance significance we got from his experience and unique artistic. The fourth chapter discusses Mr. Zheng Dongshou’ s value of freehand brushwork figure painting.Due to limitations on archaeology and understanding in history, the ancient art study and learning is not enough, the folk art is ignored, and the attention to ethnic art is less. However, this kind of art is the simplest national aesthetic consciousness; it is the most natural part and a modern art ideological trend which are looking for. So no matter the traditional researchers and innovators are easy and willing to transfer their interests on this naturally and inevitable. Combined with the hot research of Chinese art on the international art, it promoted our country art workers the most original state of the art of local research and deepening. Ancient and modern folk art with ethnic art should be a part of traditional Chinese painting, it is a good trend that combined with the modern Chinese painting experts, in the development of Chinese painting.This paper focuses on the influence of Korean artist Mr. Zheng Dongshou’s freehand brushwork figure painting art in the field of Chinese art analyses the similarities and differences between Korean painting with other domestic regions and its influence and the positive role of Mr. Zheng Dongshou in promoting cultural diversity on the day of the development of Chinese painting.