Visiual Shock Effect Of Painting

We live in a visual world, seeing the more important. Visual culture, it is not just a partof your everyday life, but is your daily life. So in the moment, many are very focused on thedesign and creation of the "visual impact" effect of specific performance. Action throughthe senses, and lead the audience into the art of paradise. So, classic paintings have beenable to deeply rooted, and infection impress the audience, and the fundamental role that thevisual senses. Any painters, both through visual inspection, which is the most fundamentalstandards of painting and the bottom line. Art is emotional support, his own feelingsmanifested, not only to describe the objective world, but his consciousness to astrengthening effect to the performance, so that the screen personalization a strong visualsense, highlighting the focus of the picture to impact on the visual feast feelings.This paper is divided into five chapters on the visual effects are analyzed and discussed.The first chapter is an introduction section. The author focuses on visual awareness,research is focused on the importance of visual impact reflected in a variety of ways, andthe visual impact of the painting.The second chapter is a visual overview. Introduces thevision, and visual production. There are visual and our lives. Visual studies; what visualculture; see the way Aspects of visual culture.The third chapter is the key sections of thisarticle,(mainly to expand to shape) through the paintings of analysis and research, tointroduce visual performance art works by graphic comparative analysis, this paper leads tothe argument that the paintings visual focus of the picture, and this characteristic is theeffect of focus type picture impact force. For example: Rembrandt Harmensz van Rijin;Richard Schmid.The fourth chapter focuses on the language of painting, that is, the visual arts of painting styles. In order to achieve the effect of the impact of the screen, will work indifferent ways to be creative. For example, the color aspect (Paul Gauguin color contrast);modeling aspects (Sandro Botticelli’s picture decorative shapes); abstract terms (Pablo RuizPicasso’s creative imagination).Through the above section, concluded: Art is emotionalsupport, his own feelings manifested, not only describe the objective world, but hisconsciousness in a strengthening effect to the performance, so that the screenpersonalization, strong visual sense, highlighting the focus of the picture, to feel the impacton the visual feast.