The Worship Of ER Xian And The Study Of Social Drama Activities In Hu Guan Shanxi

Er xian, two fairy is "Yue", is the southeast shanxi area speciallocal gods. According to local Chronicles records, They were bornin LingChuan, Growing up in TunLiu in going HuGuan later. Becausethe Er xian is the embodiment of "filial piety", people in southeastshanxi area during the late tang dynasty to honor Er xian. Songperiod because of the power increasing support Taoism culture, Erxian beliefs in that period, Especially in bei song, has been to thelate northern song dynasty, but increase more propaganda Er xianstrength, Reward two sisters as "Chong Hui" and "Chong shu"reality, the temple for the "Zhen ze" jersey. During this period, withthe development of Er Xian belief built many temples in southeastshanxi area. In the yuan dynasty, Ming dynasty and qing dynasty,because of the reason of the rulers, Er Xian belief did not get apromotion,But many believers in southeast shanxi especiallyhuguan county area. Today, there are still a lot of huguan county in shanxi Er Xian temple buildings, we can learn more carrying ErXian ritual activities, folk culture and the evolution of the northernfolk temple theatre trajectory, and explore two immortal belief andthe relationship between the game club play activities.This article will take the shanxi HuGuan Er Xian worship as thebreakthrough point, the dance floor, shape and the associated clubsplay as the main research object, on the basis of field investigation,combined with the comprehensive literature review, in the hope ofthe strong regional features of two fairy beliefs as well as related tothis temple dance floor shape and the local racing club folkactivities to do a comprehensive research and presentation.Introduction is made up of three parts, including a creation of thearticle, this topic research status inside and outside, creativethinking and innovation point in this paper. In addition to theintroduction, is divided into five chapters. The first chapter, thereason of shanxi HuGuan Er Xian worship. First through theevolution of the Er Xian tales, this paper discusses the origin of thetwo immortal belief; It is because of shanxi folk HuGuan area ErXian worship spread throughout the ages, that makes the local fromthe tang dynasty widely established Er Xian temple; Secondly, twoimmortal belief began from tang dynasty, has been circulating since,during that time Er Xian religion has experienced what kind of changes, analysis the stages Er Xian worship god and to meet theclub activities. Third, because HuGuan is located in the southeastshanxi shanxi region, topography and local conditions and customshave local color, the analysis of the local Er Xian culture hasimportant reference significance. The second chapter, southeastshanxi Er Xian and the universal set up Er Xian temple worship. Thischapter mainly introduces two immortal belief in southeastshanxi,shanxi region a distribution situation and the existingconditions, as well as the temple of the existing in these areas. Thethird chapter, the existing situation of shanxi HuGuan Er Xiantemple and stage. First of all, the use of Hu Guan county culturalrelics museum provides the names of the author to investigate toHuGuan Er Xian temple building number and distribution offirst-hand information, an overview of the existing situation ofshanxi HuGuan Er Xian temple. Second, the main analysis of shanxiHuGuan Er Xian temple stage the evolution of the shape. Look fromthe building type, the existing Er Xian temple is given priority to withlate qing architecture, dance can be divided into the gate and thegate of the dance floor two kinds big, in the majority with the gatedance floor. From shape evolution, found in huguan county ruralvillage god really jersey house of song dynasty inscription shows inEr Xian temple and began to build the dance floor, in the northern song dynasty to the jin called "dancing court" began to appear moreplace to play. Longitudinally, its architectural form for rectangularforward close to the main hall, rested on the top of the mountain. Inthe Ming and qing dynasties, width between the three, the hangingtype gate dance floor of (a little hard to the top of the mountain andrested on the top of the mountain), the location of the court buildingdance floor or dance song period to the true up. Third from shanxiHuGuan Er Xian temple building types and building decoration,represented by huguan really ze palace palace for the top structure,the building decoration is through Er Xian temple, such assculptures, murals, couplets on the analysis of which containscultural connotations. The fourth chapter is the temple of shanxiHuGuan Er Xian an analysis of the club dramatics. Through thestone inscription, the local county annals and other literaturecombining the field survey to the local people to interview thephotographs taken at the temple fair, recovered HuGuan Er Xiantemple in shanxi a ritual activities of relevant procedures and basiccontent. And from these to meet the social activity to extract thelocal customs. Fifth chapter basically write shanxi Er Xian worshipthe profound influence to the local people, and reflect the history ofshanxi HuGuan Er Xian worship significance, the summary of fulltext make the final.