Research Of Low-carbon Narrative In Film And Television Art

Look from the film and television art market, to increase the number of annual production,film and television works, but the quality of "height" is much less than the number of highcarbide works present a large number of narrative, to the social public’s physical and mentalhealth caused the influence of different level. In this paper, the theoretical basis of "low carbonaesthetics", combined with domestic and foreign typical text of the film and television art as theresearch material, and it use of the literature research, theoretical research, comparative researchfor three kinds of research methods, the study of low-carbon narrative art, narrative art incontemporary film and television art high carbonization phenomenon and causes were analyzed,and combined with low carbon discusses narrative aesthetics, aesthetic theory to low-carbonnarrative art design strategies are put forward.In the modern narrative art show "low-quality, untruth, homogeneity," high carbon trend,according to the theory of "low carbon aesthetics" put forward by the three emotional freedom,namely immersion type emotional, cheerful emotion, cultivate emotional freedom. Narrative ofhigh carbide will cause the emotional freedom of immersion, beauty is a kind of high carbon.And this paper is to study a low-carbon narrative, low carbon is beautiful type mold freeemotional narrative works of art. Low carbon narrative art aesthetic value is consistent with theartistic truth, which includes four kinds of real, namely direct real and surreal real, objectivereality and subjective reality. Low-carbon narrative art aesthetic characteristics of the text of therequirement accord with real, intuitive plot framework design is in line with the causal logic, toreveal true human nature at the same time accord with the principle of objective truth.There are many different kinds of narrative art of material selection, this article emphaticallyfrom three kinds of screening material, is a major historical subject matter, the biggest meet thereal historical principle; The second is to make the great realistic subject conforming to theinherent law of development, society accord with certain life, common sense logic; Three novelheterogeneous is the subject, must be good at digging fresh subject matter at the same tine payattention to dig inner implication of human mature. After identifying material for further processing, processing materials is to excavate material intrinsic cultural value and connotationof human nature, conforms to the principle of objective truth type material is able to causecultivate emotional freedom of low-carbon narrative material.Low-carbon narrative Angle of view to choose from two aspects of restrictive andomniscient perspective, restrictive view of subjectivity can bring the audience into his work, thefirst time following the narrative person feel the story together. For omniscient point of view, inthe view of global height, can clearly know the story, can also be in a more rational perspectivereveal the human nature and connotation of story out.The architecture of low-carbon narrative plot, the story start design to incentive eventoccurs, until the climax of development to the end, this series of narrative link to comply withthe laws of cause and effect logic and may be law, interlocking, withstand logical scrutiny, toconform to the principle of objective truth.In short, low-carbon narrative art in compliance with the principles of artistic truth, breakup of the specific steps, the narrative achieve visual reality and subjective truth, thus achievedeeper objective truth, namely the true human nature, the external senses and the perfectcombination of inner psychology, sensibility and ration, thus bring sensuous pleasure to aestheticsubject and rational content, get a mellow type of emotional freedom.