On The Absorption And Application Of Art And Design Elements Of Folk Art

At present, our art and design industry has shown a rapid development momentum. In artand design trends with the international standards while introducing modern Western artdesign, trying, attention began to dig the local traditional art design elements. Among them,the folk art elements not only epitomizes the folk customs, cultural psychology and aestheticideals of the Chinese nation in the traditional sense, but also largely concentrated in the rulesof traditional Chinese art and design, ideas and wisdom. In addition, elements of folk art "isstill harmony, your subtle, heavy freehand" aesthetic philosophy, can also be seen as acontemporary Western art design "is still abstract, simple and expensive, heavy realism"effective complement the aesthetic philosophy. Therefore, elements of folk art, contemporaryart and design workers should be considered as a design element in the local traditional artsbranch of a very important, and to be actively and flexibly learn and use. Therefore, thismaster’s thesis writing, I chose the "theory of art and design elements of folk art absorptionand application" of this issue. Art and design to be combined with specific case studies toillustrate the reference in modern art and design, the use of folk art elements necessity,feasibility and the principles and methods of problem.Research conducted by the contents of this issue embodied in five chapters. The firstchapter is to analyze the characteristics of folk art, folk art, mainly contains the concept topracticality based, first, aesthetic ornamental value, the performance of the national characterof aesthetic taste, has a profound cultural connotation, and several other aspects. The secondchapter is the study of the basic concepts and characterization of modern art and design.Consists mainly of its basic concepts, basic characterization discusses two aspects. Chapterimportance of folk art and modern art design combines mainly includes two aspects: thenecessity of speaking, one of which is the necessity of folk art and modern art designintegration; second is the folk art in modern art and design limitations in applications. Fromthe possibility of speaking, one of the two have in modeling concepts and techniques andother aspects of similarity; secondly both spiritual and cultural arts complementarity; Thirdboth are complementary in the production means. The fourth chapter is on folk art andmodern art design perfect fusion analysis of the case, respectively, the Bank of China sign the Expo Hall and the art of Poland as the object of study. The fifth chapter is recommended forthe integration of art and design elements of folk art, mainly to learn from art and designpractitioners to broad range of folk art, to foster inclusive design ideas, we should payattention to the traditional hand-painted folk art skills training, to modern art and designconcepts and principles of learning and using.