Shakuhachi Comparative Study Of China And Japan

As China traditional musical instruments of the Shakuhachi, namedin the Tang Dynasty, after two times east to Japan, the Southern SongDynasty of China gradually fade out the stage of history, but in anotherway in succession in the Fujian Nanyin, while in Japan, from theSouthern Song Dynasty of China past Shakuhachi because of theBuddhism culture is preserved and inherited.In this paper, by comparing China’s Nanyin Dongxiao music--Gongche spectrum and Japan Shakuhachi music--"kana" spectraobtained:1, our country music in Dongxiao is basically as a part of theband’s existence and performance, while Japan Shakuhachi for soloinstruments, to the time of peace also duet form.2, from the spectral pointof view on the surface, China southern Dongxiao breath is slender,beautiful melody, the use of ornament, and ornamentation is very light, while the Japanese Shakuhachi eight requires a rough breath, also like touse ornament, but mostly to the meri and kali techniques to express,with the mouth, chin to do, do not pay attention to the melody is beautifuland the pursuit of artistic conception.3, the scale is different,NanyinDongxiao is seven tone scale, Japan Shackuhachi to five.4, eight indo,Nanyin feet blowing "che" of the sound, can use three different typesof fingering to play, while the Japanese five hole Shakuhachi, not only asNanyin feet eight can use different method to play the same note, and allthe time the fingering,can blow a three each different voice: C4, bD4, D4.5, Japan Shakuchi due to the first hole and the fourth hole by hole is themistress of interval change, to reduce a whole step according to the holeand playing control method, but also a steady and sufficient volume is notan easy skill. In the music of chapters, the author gave from China intoJapan’s music bell "and the" virtual learning music "to", and"one twothree bowl adjusting" kana spectrum, and do a detailed analysis,detailedintroduces the method of using Japan Shakuhachi variable Meritechniques.Based on the music study, the author also compares NanyinDongxiao and Japan’s Shakuhachi in the music and rhythm on thesimilarities and differences, by comparing the Japanese Shakuhachi andNanyin Dongxiao of the spectrum, can see five hole Shakuhachi andNanyin Dongxiao playing music will appear three times sound and five times sound， however, Nanyin Dongxiao blown out of the sound issofter, sounds clean, and Japan Shakuhachi blowing out sounds morerugged, flavor thick. We can see the homophonic column it produces fivedegrees, three degrees, eight harmonic overtone of harmonic and sixdegrees,seven degrees from the recording of overtone of spectrum. Inaddition, the author of the two instruments in making and playing in therhythm problems have to do a comparative study, the author draws on thecalculation method of the modern from Zhao Songting’s Fife frequency,and using mathematics "Pythagorean theory in three-dimensionalcylindrical" way to do a preliminary calculation of Japan’s Shakuhachieight gas column frequency. And the comparative study of China andJapan ’Shakuhachi in production for different methods in accordance withtheir music aesthetic intonation: when such as Japan’ Shackuhachi will bethe3position lower, or change the aperture size, aperture on lacquer in toadjust the intonation; and Nanyin Dongxiao is mainly used method. Toadjust the intonation.