| Chinese and western traditional figure painting in different cultural consciousness and aesthetic concept to form the concept of different colors, different drawing form of visual perception. The formation of painting color investigate the root cause is both Chinese and western different philosophical and aesthetic concept. Western traditional figure painting pays attention to science, that science is accompanied by the development of the western traditional figure painting color, character of Chinese traditional painting, advocating "meaning", always show the traditional literati of the aesthetic consciousness of the society. Both more practical significance lies in the communication and integration after the formation of the aesthetic temperament and interest.In this paper, on the basis of the traditional Chinese scroll, the formation of traditional ink painting freehand brushwork figure painting and western oil painting and color development process, traditional Chinese figure painting color to produce roots. With traditional characters of Chinese and western painting color concept, technique performance language, space and color features from several aspects such as comparative study on both similarities and differences, the language as the research focus in the form of painting color. Analysis of differences of the two, ideological and cultural background, finally discusses the realistic significance of the comparative study.Through a comparative study of the two, to research and exploration of Chinese figure painting creation nationalization and localization problem. The scientific spirit of western oil painting, techniques and painting materials as the carrier. Make the oil painting language of Chinese cultural spirit, accord with the aesthetic appeal of the Chinese, reflects the national culture of aesthetic value. |