Research On Characteristic Of Chinese Conceptual Painting

In the1980s， Chinese contemporary painting has undergone big changes， thesechanges with Chinese contemporary political and economic transformation associated inbreaking the original ideology dominated the art of Chinese painting is closed gradually withinternational standards， the formation of a history with the simultaneous development ofthe international art is inevitable. It is the germinal idea of conceptual painting in thishistoric change and gained the support of a more broad prospects and extensive artist，whatever the social impact or artistic value， they are produced as a multi-art form ofexistence，naturally has its reasons. The idea of the realm of ideas and features to prove thesimilarities and differences as well as the idea of conceptual painting in touch with othervisual art forms between the performance，just its value.This paper studies the characteristics of Chinese contemporary painting ideas，focusing on analysis of the specificity of the concept of the painting，and further discussesthe relationship between conceptual art and the idea of conceptual painting; whennecessary to define the concept of aesthetic features paintings are certain ideas explore，clarify ideas; reviewing conceptual art from the West to China and growth and expansionin China as well as the reality of contemporary issues such as the concept of sustainabledevelopment in a certain painting thinking.Research from the micro to the macro expanded this idea， to study its visualappearance features， many artistic phenomena and artistic concepts contemporaryconceptual art and painting at this ancient art form produced by the combination of arational analysis and explore. Finally，on rebuttal after the death of painting and modern artraised some questions the existence of Chinese painting ideas，such as the lack of socialtopics， identity and other issues in Chinese context，it is to further explore this issue.