Turpan Astana Tombs Paper-cut Research

Originally the xinjiang uygur autonomous region in turpan city wei jin southern and northern dynasties to tang dynasty Gao Changguo city house, at the same time, the area is located in a "silk road", is a communication path between east and west. Astana near 1959 to 1969 in xinjiang turpan area zonin nearly 500 tombs excavated is archaeology for burial paper-cut ever also buried in the tomb of an important harvest, after the archaeologists excavated tomb in many mining and based on the content of the paper-cut image,determine its s cap in wei-jin period, lower limit in the tang period. Astana tombs excavated tomb complex excavation history the earliest paper-cut is so far.This thesis is on the tombs paper-cut, on the basis of existing research results, combined with astana tombs of the relevant archaeological data,literature data and burial space specific meaning, to astana tombs paper-cut images and the central plains, the west, such as Buddhism image compare analysis, and discusses burial paper-cut art style, cultural and ideological content of the image and illustrate tombs cut paper image of the central plains,the western image, Buddhism has a close inheritance, in turn, determine the tombs after the cultural tendency of paper cutting is a variety of cultural integration in the central plains han culture as the main tendency of culture.Through the period of wei jin southern and northern dynasties to the tang dynasty Gao Changguo and textual research of the western region, the history of communication in the central plains further analyzing the origin of burial paper-cut form. Finally to explore the burial paper-cut image Gao Changguo tombs in what function at the time. Through the analysis of the above summarized Gao Changguo, which is located in the desert, tombs in the han its ideological content mainly is the central plains farming culture.The paper’s first chapter is introduction, mainly involves the significance of topic selection, research status and existing problems, the paper research method and the structure of the thesis. The second chapter is mainly to burial paper-cut image and the surrounding but so do dungans region folk paper-cut image; Central plains historical relics unearthed tombs murals images, image and grottoes of Buddhism and folk paper-cut images; Western decorative image for comparison and analysis of the image and artistic style is to study the image of the cultural connotation is the thought source of the central plains culture, determine the tombs of the paper-cut culture orientation is a variety of cultural integration after orientation is given priority to with the han culture. The third chapter mainly analyzes burial paper-cut form in Gao Changguo origin. The fourth chapter discussed on the basis of above analysis step paper-cut also buried in the tombs etiquette environment function. This thesis is composed of the above four chapters.Paper, first of all, through the analysis of burial paper-cut image shows that astana tombs paper-cut of the subjects did not abandon the traditional image of the central plains han dynasty, with the central plains of traditional image is given priority to, and gaochang rather ethnic nomadic image features,also became assimilated into other new outland image, so the grave paper-cut image is more distinct imprint of The Times. At the same time combined with wei jin southern and northern dynasties and the period of the tang dynasty art funeral information, further demonstrates astana tombs paper-cut and folk paper-cut art, but so do dungans region west sassanian Persian art, the central Asian art, European and Asian art, buddhist art and ancient art, the relationship between the north and reveal the communication path between areas, finally discusses the paper-cut image in tombs etiquette environment function. In astana tombs paper-cut image as an opportunity to conclude that Gao Changguo wei jin southern and northern dynasties to tang dynasty tombs paper-cut image formation is the result of the communication between regional integration, and the cultural influence on funeral art at that time.Astana tombs paper-cut unearthed from a more comprehensive understandingfor us and the southern dynasties and the tang dynasty period of funeral art provides an important basis and reference.