| In the 200 years of Peking Opera’s history, the dramas of Guan is a unique presence.Because of Guan have developed a specialized role- the "red sheng" which the play is named Drama Guan(and later another role by created by Zhao Kuangyin is also called "red sheng", but there is different with Drama Guan). It includes two line of business, and is different from the "jing hang", "wu sheng", "lao sheng".At the same time,it both the need for a power "hua lian", "wu sheng" of knowledge, but also the need for "lao sheng" to read full-bodied white and singing. Play out majestic, imposing appearance, giving a sense of awe of the majesty. So the actor of Drama Guan must have the basis of "hua lian", "wu sheng", "lao sheng" and the skill to be deep, show the difficulty is also large, non-ordinary actor can fit the job. In this paper, the Drama Guan for the study, discussed the paper from the six aspects.The first part, the paper reviews the process of deification of Guan Yu, and explore the underlying causes of their deified and cultural connotations. Because of the prevalence of worship Guan Gong, Guan opera drama produced many taboos in the performances, the opera stage to become a special and intriguing phenomenon.The second part, based on available information compiled Drama Guan opera repertoire, to show the status of Drama Guan make a outline. There is a comparison between Drama Guan and the novel "Three Kingdoms". By comparing the text, it can be seen from the difference between the field of literature and literary desk.The third part, it discusses the specific image of Guan Gong and its performance characteristics on the opera stage. Including the props and dress, the role of shaping.The fourth part, it discusses the actor of Drama Guan performances factions and their representatives, to address their unique showmanship.The fifth part, through the social environment, ethnic and psychological analysis, combined with Peking Opera actor’s own characteristics and factors, which explored the reasons for the rise and fall of Drama Guan, revealing the underlying causes of Peking Opera. |