On The Evolution Of Fan Xiaoqing’s Novel Creation

Since 1980,Fan Xiaoqing published in the journal of Shanghai literature, his first since the late nights, with affection for the writing and insist, toiling away in the 30 years of literary creation, contributing to the contemporary literary world out of the work of more than one thousand two hundred words. So far, Fan Xiaoqing wrote 19 novels, nearly 300 short stories, in addition to writing the novel, she has dealt with the literary creation of prose, TV drama, report literature, etc. Fan Xiaoqing of the short story "a brief history of urban and rural areas" was rated as the fourth Lu Xun literature prize of national excellent short stories and novels "urban expression" won the propaganda department of the central committee of the communist party of China issued by the tenth session of national "five-one project prize". Throughout the whole course of Fan Xiaoqing more than 30 years writing, her works has always been a current reality, each period of the literary trend seems to be caught, but it is always free from the torrent surging tide, she constantly change during the course of more than 30 years of creation, and in constant evolution of the self transcendence. In this paper on the basis of careful reading and analyzing Fan Xiaoqing novel text, from the change of theme, the theme of change, the narrative of the change in aspects such as combing Fan Xiaoqing fiction, aimed at the complicated cobwebs on the basis of existing research, the good and fully Fan Xiaoqing fiction evolution factors and Fan Xiaoqing fiction of the transformation of value and to Sue the constructive significance of the novel.The first chapter is on the original form of Fan Xiaoqing fiction, mainly from the abandon of enlightenment discourse, retreat to the theoretical background and folk "new realistic novel" and "alley literature" the two academic reading and evaluation Fan Xiaoqing frame of reference, to analyze Fan Xiaoqing fiction in the 80 s and interpretation. Fan Xiaoqing clinging to suzhou alley this side of heaven and earth, the meandering alley of suzhou indifferent and secular life taste, in the place of the nature, ancient gusu city of jiangnan, write jinxiu texture of the big world.The second chapter Fan Xiaoqing fiction creation is the subject of change. With the changes of The Times and the change of the author’s own experience, Fan Xiaoqing fiction the subject of the corresponding change. In mid and late 80 s to the early 90 s, Fan Xiaoqing clinging to suzhou street, carefully crafted her alley heaven and earth, with a fine wen wan style for us to draw the outline of the changes of the lane of suzhou as picture. Since the 1990 s, Fan Xiaoqing out of suzhou alleys still waters run deep, into the "new reality", created by the suzhou street fine people in the field of daily life into a major event in the modern suzhou society modernization, hitting the right field in the real life and the underlying domain. In recent years, Fan Xiaoqing in the creation of the alley in suzhou and the modern new suzhou work obey the call of the heart after back after long country folk, standing on the position of folk writing changes of rural folk.The third chapter is the change of Fan Xiaoqing fiction creation theme. Reform and opening-up make people’s life style and world view, outlook on life, values occurred earth-shaking changes, Fan Xiaoqing also change the theme of the novel creation thought, in the question asked: to explore the meaning of life and value from the pursuit of indifferent and secular, street life of harmony to the addicted officialdom lust in his writing, the ups and downs show right desire of human nature, and then away from complex officialdom regression beautiful country folk, from the "alienation" to the "salvation".A third of the change in the fourth chapter discusses Fan Xiaoqing fiction: ideographic narrative exploration of anxiety, namely narrative of change. Her early novels reveal women wen wan and exquisite perceptual description, along with the progress of the writing skills she gradually from wen wan exquisite perceptual description to zero emotional involvement. In rural migrant workers, stories, Fan Xiaoqing into the bizarre factors in plain narrative, try to use this kind of ridiculous to reveal the underlying people helpless and hardship of life. In mid and late 90 s, Fan Xiaoqing fiction attempt to politics as the window through construction of grand narrative to better grasp the history and reality, but then in the country in the subject matter of a few novels, Fan Xiaoqing feel distanced from the grand narrative, then gradually withdrew from the stem of grand narrative, to focus on the present, in the rural folk narration of daily life to refuse the participation of grand narrative, from the passion for the grand narrative construction to refuse to escape.The fifth chapter is pressed and reflection on the Fan Xiaoqing fiction, explore the reasons of the change in his novel creation and value significance. Any creative work is not isolated but the result of the many factors symbiosis, the author’s point of view, their own experience, suzhou specific regional culture and era background more or less affect the generation of the work. This section in Fan Xiaoqing’s own experience, suzhou regional culture and the era under the background of a number of factors explain the reason of the change in Fan Xiaoqing fiction, to reflect the value of the change in her novel creation. Fan Xiaoqing fiction always is a tepid, but she still sink lived gas, tolerance for solitude, thirty years, she has been writing, quietly done in constant evolution of the self transcendence, beyond of representational suzhou map, which created a new situation in Sue sent of the novel.