About Mao Dun’s Novels’ Narrative Research Ofviolence

As the leftist literature’s giant,through diligently literature creation and theoretical construction,Mao Dun had made irreplaceable contributions to modern Chinese literature.unique paradigm of grand narrative works is blended together by times of situation and universal humanity, also makes Mao Dun loved by the numerous readers and researchers, enduring. Since the new period, the interpretation of the use of narrative theory to carry on the works of Mao Dun have also increased, but the research about Mao Dun’s novels’ narration of violence receives rarely cares. This article reinterprets grasps Mao Dun’s novels by the ideal of reflecation and revaluation,through case study of Mao Dun’s novels to find the unique of his narration of violence.Discussing the different aesthetic effects caused by its narrative types and exploring the causes, in order to icing on the cake for Mao Dun’s academic research.Firstly,from the story itself, the novels of Mao Dun violence narration can from the "characters", "plot" has been seen some common basic elements, such as Mao Dun’s novel 《Corrosion》 trilogy, 《Midnight》 and the short story 《Xiao Wu》 and other works are involved in social organizations, individuals from evil, the discipline of oppressive state machine and the enthusiastic crowd execution violence description, as the main body of violence in the novel—— the masses, often become a kind of "presumed looted and raped subject"; women behoove to become victims of violence in the object—— be materialized, swallowed ——mass violence ——Rational female body reason were eventually swallowed swallowed. While the plot, it is clear that the characteristics of two types of plot: a sudden and violent subjective objective violence concealment.Secondly, from the analysis of the narrative, the narrative of Mao Dun’s violence could be divided into "rational narration" and "sensible narration" two types, these two types are also show different characteristics. It is a unique perspective and attitude by the author in the face of violence take, can smell the interpretation of his violence of humanity and compassion of life, which makes the violence narration symbol features and other creators with age is different.Finally, the violence in《Midnight》Narration in Mao Dun period has been transformed into a theory of rational narrative rationality, and in his early works 《corrosion》 trilogy of gaze and the destruction of the female body are indulging sensual desire to appeal to the visual experience of change, such an attitude and method on the seemingly natural but causes complex, in the basis of in-depth and meticulous analysis to these two kinds of violence narration type, this article from the disparity Zizek conversion theory, to explore the internal causes of this transformation and the corresponding relation between a kind of paradox and ordinary people caused by left and right brain and the mysterious, and issued an Hwan in contemporary history culture in the context of a new brilliance.Mao Dun about violent senses of narrative and rational narrative form the whole atmosphere compared to a cold and hot, create a contrast effect. Because in the luxurious magnificent social historical picture, prance beating rhythm back times is shown by the human warm realistic picture vivid and full of tender feelings, give a person a kind of open wide and strong aesthetic enjoyment of mind. This paper studies the violence narration on Mao Dun’s novels also just from the Mao Dun text details to try a possibility of re reading of Mao Dun, for the re interpretation of the classical writers of the later works attract.