“Liu Fa” In The Practical Application Of The "Recover My Original Simplicity" Series Of Landscapes In Oil Painting Creation

Chinese landscape oil painting is moving towards a " nationalization " direction of development, as early as the beginning of Chinese oil painting development, Xu Beihong and the older generation of artists began to realize the western oil painting only when combined with the local culture and local characteristics is the basic foothold of oil painting. Effect of Chinese traditional painting in oil painting is mainly reflected in the content and form, In content and form with Chinese characteristics is nothing more than to Chinese contents of the theme, the introduction of Chinese traditional painting elements in painting. The oil painting is concerned on the modeling realistic performance, in form, on the present, rational, but the traditional Chinese art performance in the inner feelings, the artist’s personal thoughts and feelings and freehand attention, pay attention to “like and do not like, do not like and like ”. in the oil painting creation simple move by China the traditional art techniques will make the oil painting art walk on the narrow road and self limiting, if disposed of color, light pursuit and performance in the oil painting; on the other hand, break the Chinese tradition drawing spirit mechanical application of Western painting realistic modeling for the creation of Chinese painting, also cannot have the achievements, it is easy to cause the formation of dead dull picture of the painting to convey the less some pay attention to people’s thoughts and feelings, let the reader experience not to the creator to convey emotion and creation intention. In the long-term practice of the arts, Chinese oil painters have also gradually realized that the oil painting "nationalization" mainly reflected no longer form, and in the content, in the spirit, is no longer simply map based techniques for reference, but follow the trend of the times, from the Chinese traditional painting literati painting, from the form of content many also works in the modern sense, make the works more modern style. The Chinese oil painting in the painting concept and the world have no difference, the problem now is not that kind of painting and form, the key lies in the thought, emotion and cultural connotations conveyed by it. In these theoretical knowledge and master, through the traditional Chinese artistic theory of "liufa" in the practical application of its scenery oil painting creation in order to convey the author’s ideas and feelings of their own, innovation and development to study and research the traditional painting in the new era from its own instance.This paper is divided into four chapters to practical use of “liufa” in my "recover one’s original simplicity" series of landscape painting in the creation of shallow analysis and discussion, the third chapter is the key chapter, separately from the six aspects of a specific explanation and elaboration of “liufa” applied in the creation of landscape painting in me, fourth chapter tells the story of “liufa” practical significance of application.