The Development Of Guangxi Film Under The Aesthetic Field Of Vision

In this article, "Guangxi Film" as the main object of study.This article attempts to explore the development of Guangxi film under the perspective of aesthetics. In addition to the introduction, This thesis mainly is divided into six chapters.The first chapter is Guangxi film aesthetics development brief.This chapter firstly expounds the aesthetic orientation, which runs through all the Guangxi films development – realism,and expounds the influence of economic, political and cultural factors of the Guangxi film. The second chapter to the fifth chapter,divided the development of Guangxi film aesthetics into four stages, and summarizes the aesthetic characteristics of each period of Guangxi films. The second chapter is the period of exploration of Guangxi film aesthetics(1958-1985): At this stage,the Guangxi film aesthetics development mainly focuses on the groping, returning and breakthrough of realistic aesthetics. The third chapter is the movie aesthetic differentiation stage(1986-1995): Guangxi film aesthetics experienced from monism to pluralism aesthetic fission. The fourth chapter is the stage of deepening Guangxi film multiple aesthetics(1996-2011): On the basis of the original film aesthetics, the multiple aesthetics in collision with the game are more incentive. The fifth chapter is the attempt period of eco-movie aesthetic(2012-present): Guangxi movies attempt made ecological aesthetics. The sixth chapter explores the significance of Guangxi films aesthetics development from three dimensions: the beauty of national culture, the breakthrough meaning of image aesthetic, the thinking of realism, which confirmed the rationality and necessity of the existence and development of Guangxi films.