Exploring The Developmental Trajectories Of Erhu From Age Works

Tracing The origin of Erhu,which can be back to the sui and tang dynasties. For many years, Erhu as accompaniment instrument not widely attention more, until the early twentieth century, by the "new culture movement", "the May fourth movement", Liu Tianhua started the "path to improve Chinese music". Erhu as a solo instrument for the first time by Liu Tianhua.And the creation of later generations far-reaching ten Erhu solo, a whole set of etude, from then on, erhu into a new era of history. During the same period of bing in erhu and made outstanding contributions in creation, leaving three erhu music is national music treasure the most precious wealth, especially the two springs month world-famous. They have greatly promoted the early twentieth century erhu music. Proliferation after the liberation, erhu works, genre, content rich variety, erhu stage in prosperity and development. After the 1980 s, the country adopted a policy of reform and opening up, the germination of the open social environment and social development diversification, erhu works along with the social development towards diversification path, to the end of the twentieth century, erhu more stick to traditional grounding, iwcm diversification principle, in terms of national folk music tone on the basis of a large number of the use of western modern music creation techniques, intensify to erhu art performance. The first erhu rhapsody erhu is this period the delegate of direction of the development of new works. The acceleration of the 21st century, the development of erhu diversification, works with the tendency is rich in western modern music characteristics of traditional Chinese folk music, gradually in line with international standards, national music international trend is obvious. Once again leap development of erhu successful implementation.This paper includes four chapters, chapter one addresses the predecessor later namely the evolution history of erhu analysis discussion, which leads to the below of the twentieth century later in the research of the development of the erhu. The second chapter, the third chapter investigated since the early twentieth century’s iconic composer and his erhu works staging category, through the analysis of the creation of theme, style, technique, characteristics. After revealing the erhu as a solo instrument’s trajectory. The fourth chapter through the analysis of the erhu works, with erhu works to the erhu internal relations between the trajectory, and erhu development to try forward-looking vision for the future.Article by collecting and organizing a large number of relevant references, with Liu Tianhua’swork Liu Wenjin, wang, GuanNaiZhong five composers such as man and works as the research object, staging, classification, analysis and summary. Through this paper, the author thinks of erhu rapid development at the same time along with the popularity of music culture education, erhu professional process to speed up the road. Scientific system of professional education system make skill improvement, emerged a large number of professional music, erhu works tend to show off, large theme of expression. In erhu works under the interaction with the development of erhu, erhu qualitative leap. Erhu development since the 20th century, has become the representative of the national musical instrument, go global, reputation.