Research On The Presentation Of The T·S·Eliot’s Poetics Theory During The New China Period

As a representative of the twentieth century Western modernism, T·S·Eliot’s poetic theory had been playing an important role in terms of the poetic construction of China. Since the first boom of the last century thirty’s and forty’s in China, and after the detention period of the cultural period, when the wheel of history into a new era, Eliot’s poetic history had been setting off a wave of learning his poetic theory once again in China. However, the study of Eliot’s poetic theory in China’s acceptance is supposed to think about several aspects: Why is accepted, what group is accepted, how to analyze the acceptance situation, what kind of influence in the process of acceptance should be considered. Meanwhile, there’s a problem need to focus on, that’s to say, this article also pays attention to the role that Eliot’s poetic theory playing in the process of rebuilding the traditional poetic theory of the new China period. On this basis, the paper will be divided into the following five chapters.The first chapter, Introduction. In this section, the main account of the research status, the problem put forward and research significance. Investigate the reasons accepting T·S·Eliot’s poetic theory in China New Era, meaning that there’ll be what it’s worth poetic theory acceptance.The second chapter, what kind of acceptance context and who accepted the poetic theory of Eliot in the new era of China. New Era Eliot’s poetic theory was introduced into China again to be absorbed and accepted. Firstly, you need to analyze the specific meaning of the poetic theory. Secondly, analysis of cultural context of acceptance during the new China period is also needed. Lastly, on this basis, the analysis accepted subject. In this chapter, parsing his poetic theory is accepted by what kind of groups, that is the main difference from elaborate accept translator, academic researcher and poetic critic’s perspectives.The third chapter, the situation of the acceptance of Eliot’s poetic theory in the new era of China, Eliot’s poetic theory was accepted by different poetic critics, at the same time, they also made the localization of interpretation respectively, during the four stages, which reflects the return to traditions in early eighty’s and rebel tradition in the late eighty’s, as well as including the return to traditions once again in ninety’s and abandon the tradition in the new century. Their interpretations also had an impact for the same period. In this chapter, pursing acceptance situation and what kind of impact having on in the process of acceptance.The fourth chapter, for poetic theory in the new era of China’s acceptance of reflection. In an interview with the embodied reflection in the process of presentation, certain issues such as the repetitive and once-sidedness of presentation and misunderstanding and practicality of accepted subjects are supposed to be reflected.The fifth chapter, Conclusion. Through the above analysis, to reflect on how to better accept the T ? S ? Eliot’s poetic theory, while thinking his poetic theory for the significance of the new era of building traditional Chinese poetics played.