| Jingxing county is the traffic crossroads of taihang piedmont, has four provices of geographical advantages, jingxing song period and the northern nomadic people closely, exist within the territory of the han culture and ethnic culture characteristics, jingxing Shi song zhuang burial is the environment in a wealthy family tomb group of song period. This family tombs on the basis of the western main body also embodies the influence of the northern nomadic culture, is the study of song in north China during the period of important example of cultural exchange.This paper mainly divided into five chapters.The first chapter, first of all, define the object of study and related concepts, then carding academic history, research methods and theoretical guidance, pointed out the innovations and shortcomings of this article.The second chapter analyze the basic form of Shi zhuang song burial, induces its location arrangement rules and basic characteristic of the grave, also analyses the buried with research. Shi zhuang song tombs located on the Banks of the river platform surrounded by mountains, with feng shui. Zhao mu of system, formed the family tomb group of regularly arranged. Shi zhuang song tombs for brick tomb chamber, according to the different can be divided into the square of the tomb, tomb shape round tomb, tomb polygon three categories. All tombs by the pyramid-shaped mound, the entrance of the tomb, aisle, tomb of four parts, the shape most similar to the same period in the central plains burial.The third chapter mainly studies tombs in the decorative features. Shi song zhuang tomb decoration is diversiform, have brick, building painting and mural. Imitation wood brick carving cabinet modelling precise and complex structure, architectural colored drawing number is various, graceful, reduction of the architectural style of song period; Mural is particularly rich, although pen wind is straightforward, but subject diversity, is the true reappearance Mu Zhu Ren life.Rich variety of chapter iv of the tomb murals in detail, through murals content a snapshot of song period of the social life in north China. Mural number is more, eclectic, modelling is vivid, not only in the central plains dynasty carved brick tomb murals common door figure, figure attached, ci-poetry music chart, such as subject matter, also have reflect the natural scenery of the ethnic minority Lu Yan figure and grazing figure, and the embodiment of the Taoism thought, thus it can be seen that jingxing region of song dynasty, under the influence of the northern nomadic people, gradually absorbed minority culture elements, this is the song jingxing area during the period of the han nationality and minority cultures blend important examples.The fifth chapter discusses the several problems associated with Shi song tombs group of zhuang, first through the tombs buried with Shi song zhuang and details the analysis of the characteristics, combined with its Ying Tang Yinqin would like the epitaph in the domain and yuan clans, in this paper, the Shi zhuang song tombs nationality-belonging problems were analyzed, concluded that the Mu Zhu Ren family is local landlords and the rich man Yin Shi family. In addition, combining Jin Shiwen data, this paper simple textual research Yin Shi family in the jin to the teacher’s story. Finally, this paper analyzed the tomb buried with the relationship between porcelain and jingxing kiln, because the jingxing kiln site archaeological materials is not complete, Shizhuang song tombs unearthed porcelain jingxing kiln for research provides data in the song period of the fire.Conclusion part summarizes the full text and point of view, proposed this article research the shortcomings. |
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