The Research On Schema Of Modern Female Painter

Art industry as a human of the third industry, it is to meet the growing demand ofhuman spiritual culture. Art is always as the innovation in the field of human socialdevelopment, because it is moving forward with the human thinking and artistic pursuit ofthe most taboo is identical with and without personality, so the development of context inthe history of art, there is always a certain principle, produce certain school. Throughout thehistory of art is not a school or doctrine is produced by a female to play the leading role,people talk about women always as an accessory of the male, in the development process ofthe art is no exception, what are the reasons leading to such a situation? Exploration hasattracted more and more art critic or art historians.Modern painting art style provides a look at the direction for our study. In this paper,with the "modern painting" in the status of women as the theory starting point, focuses onthe modern female artist with a distinct male artists are the ways in which the impact ofwestern feminism, according to their respective artistic psychology was questioned andthinking of all sorts of "male culture", and in the wanton publicity painting schema will beart the internal psychological viewpoint steering self reflection, thus the use of female’suniqueart language and schema mirroring to find their own artistic developmentfulcrum,created with independent spirit and cultural character of the works.As a kind of angle, a method of female artists always around the inner experience andtheir own and create art, or constantly ask source of their art is the artist to the emotion andsoul continue to torture. This paper discusses the female identity in modern painting to theart of atlas, psychological perspective,women as sex people facing the living environmentand social relations as the basis of internal audit, the image of the female art.