Past To Present: Huang Qiuyuan’s Landscape Art Style And Thinking Tracing

Mr. Huang Qiuyuan20th century Chinese painting, Ancient Methods and Modernlandscape painting masters, is the modern traditional Chinese landscape painting tosend the most personal artistic characteristics representative of his artistic career islegendary, lifetime loneliness Shou Road, behind the fame. He has a greataccomplishment in the art of painting profound knowledge, landscapes, flowers,birds, people, community painting, calligraphy, poetry are all good, especially in themost exquisite landscape. Huang Qiuyuan devoted all his life to the traditionalpractice and explore the landscape, set length of various home, own vocabulary, atthe same time to learn the essence of traditional landscape painting, to be self-integration and innovation, forming a unique personal style of landscape paintingstyle. As a master of the traditional landscape painting, landscape painting in his penand ink style, form and composition creative theme has many forms, pen and inktechnique aspects of his early years boldly absorb the Song of forceful broad, boldfresh Shi Tao, Stony Brook ’s vast sophistication Wang Meng of Canggu dense,moist, rich old age is the product of Binhong law and Cunfa use ink to an extreme,the original is different from the previous "Qiu yuan cracked "; and tricks he thencombines the layout of the Northern Song Dynasty "Panorama style " and theLandscape and Wang Meng close turns complicated composition, often painted Fullof clouds, airtight, vigorous Wordsworth. This article from four aspects LandscapePaintings, composition, subject matter, artistic thought as the main place to start,landscape art style characterized by the formation of Huang Qiuyuan for a morecomprehensive tracking, carding, think and re-understanding.In this paper, a large number of works by analyzing and comparing, analyzingHuang Qiuyuan’s art style of traditional Chinese ink landscape painting inheritanceand development, thus tracing and thinking. Full-text consists of an introduction,body and conclusion chapters eight parts. Introduction from the research backgroundand significance of domestic and foreign research status and research scope andmethodology for the three sections later Huang Qiuyuan art style and thinking tracingpave the way. The first part of the text in order to resolve Biography and backgroundhistory of Huang Qiuyuan decline in traditional Chinese painting under " to be found." The second part of the Huang Qiuyuan ink style in terms of inheritance anddevelopment of traditional Chinese ink landscape painting, as discussed focus on penand ink and Vals, integrated ink method, Cunfa for a more comprehensive analysis.The third part is focused on the analysis of " panoramic " and close turns complicatedcomposition in the form of landscape painting in Huang Qiuyuan ’s performance. Thefourth part analyzes the sources of inspiration for his landscape paintings, in order forexample to Lushan Shen Zhou, off with the same theme creative works carried outcomparative analysis. The final part discusses the Huang Qiuyuan landscape ofcontemporary artistic development and the impact of Chinese landscape painting.