| Late Ming and early Qing dynasty Chinese painting, can be described as factionalism, freewheeling, all babies were flourishing in meteorology. Takes up painting landscapes and bird-and-flower and work leads. Landscape,"four kings,""four monks"; birds, Chen Chun, vines, eight, Yun Nam Tin. For a variety of reasons, figure paintings from the Ming dynasty to the Qing dynasty, has been in a State of decline, borders. In particular, Freehand figure painting, although there are also several characters such as old Lotus, gongshou painters, with the exception of old Lotus was somewhat thin on the portrait, and says the rest are difficult to figure painting in the world.Until the late Qing dynasty, clan emerged from a master figure, he is "three" and later on, was later pushed to "three" which Ren Yi. Ren Yi was "Shanghai" important founder, is China’s significant achievements of painters on the painting in the late Qing. Good at figures, flowers and birds, landscapes, especially known for their paintings. Xu Beihong had pushed him as the "after Chou Shizhou, Chinese painter".On Ren bonian of research Sheng Yu modern, as on Ren bonian of painting wind techniques of Chase examination of wind increasingly flourish, on its biography circle, and painting style techniques, and thought and the achievements aspects of papers is increasingly more, due to research method and the information of different, also decided its research points to has multidirectional degrees and more levels of features, in related research area in the, also has many discusses sharp, and brilliantly of good articles, is rare from "forms beauty" this Western vocabulary of angle to analysis of works.This paper tries to "beauty" as the breakthrough point, to supplement the research on Ren bonian, mainly from Chinese paintings as a starting point, on Ren bonian painting style’s origins and background, arts mentorship relationships explored, to use its lines, pen and ink, color, composition, and other aspects of Ren bonian’s painting works form the beauty of examination and tasting. Study mainly rely on traditional Chinese painting and Western language in the form of research results, with individual analysis of Ren bonian, Ren bonian’s painting works and technique factors summarized in the form of extracts, analyses and comparisons, to canwu forms the essence of traditional Chinese figure painting, so as to further dig unique painting of Ren bonian, broaden the horizons of figure painting. And take this wealth of theoretical knowledge, raised to a series of reflections on the painting, arts development in the future direction for himself, but also expect to do some research on Ren bonian added. |
