Opera Mezzo-soprano Roles In The Development Of European Creative Inspiration To Us

Reflections on Chinese opera mezzo creation-Enlightenment development role in the creation of theEuropean opera mezzo-soprano. By analyzing the development of the European mezzo-soprano roles inopera, Chinese opera mezzo-control work scarce, the role of a single issue, mezzo-soprano operacreation of summing up our inadequacies slow absorption from European mezzo-soprano voices creationexperience, combined with its own characteristics, to create different styles of opera, with Chinesecharacteristics, in order to form a mezzo-soprano opera starring Chinese make up gaps Chinese opera.The thesis is divided into four parts: the introduction and three chapters composed. Introduction is anoverview of the main mezzo-soprano vocal development and the creation of practical significance, a briefreview of the development status of mezzo-soprano, the status of the development of Chinese opera,mezzo-soprano voices role in Chinese opera creation of unitary status of backwardness.The first chapter, the European opera mezzo-soprano roles in the creation of development situation,including the origin of two sections, the first European mezzo-soprano, development and prosperity of thischapter the author from the decline of Europe and the mezzo-soprano castrato singers of rise to thedevelopment and prosperity of Europe, mezzo-soprano, mezzo-soprano from classical to romantic operaroles change; Section II, the changing role of the European opera mezzo phenomenon analysis.The second chapter analyzes the current situation in China mezzo-soprano opera creation. Includesthree sections, the first section, the development process of Chinese mezzo-soprano; Section, Chinesemezzo-soprano roles in opera aria analysis; Section III, the status quo Chinese opera mezzo-soprano rolesin the creation of the analysis, the author from history reasons, aesthetic orientation, songwriting analyzed.Chapter III, resulting in the Chinese opera mezzo creation inspiration and reflection. The first section,revelation of Chinese opera opera in Europe, respectively, from the diversity of styles of diversity, the roleof the " talent " to analyze several aspects; Section, mezzo thinking in Chinese opera creation, includingtwo aspects, one is " talented " counterproductive in the creation of multi-opera style, the second is thequality of the establishment of self-mezzo-soprano opera creation in China, were thinking and outlookfrom serious opera, the national opera, musical theater and opera. The last part is the conclusion, briefly summarize feelings after the completion of the papers.