Mongolia Family Art

The vast northern region (a part of the three provinces in Northeast China and the Inner Mongolia Autonomous Region) inhabited by many ethnic minorities, including Mongolia, Oroqen, Ewenki nationality, Manchu, Daur, Hezhen, Qapqal Xibe ethnic minority. These minorities mostly belief in shamanism. In the cultural treasure-house, plastic arts by materialized form of its own, to show the concept, with its unique style and charm shows northern national aesthetic taste and appreciation standards. The plastic art embodies clan groups emotion, wisdom and efforts, represents the highest level of clan.And the choice of Mongolia art as the research object, because the Mongolia nationality in the north east of its long history, wide distribution, shape rich, deep meaning in the original culture occupies an important position; and the integration of the folk culture with its strong vitality and unique charm. Is an important part of Chinese art.Contemporary art language and Symbolic Integration of local folk culture shaman art, explore new ideas of plastic arts creation, has a positive role in promoting the development of contemporary arts. But shaman mysterious art form now is gradually fading out of people’s vision, perhaps completely disappeared in the original art will be when one has passed away, now proceed to the fusion of Shamanism and other art, to protect the national ecological culture, to save the national intangible cultural heritage but also has a positive significance.Shamanism as a unique native religion, his art has a very primitive feeling, especially the historical shaman folk model art, can bring us the original regression of art creation, especially the value of sculpture on the self-evident. Only based on national culture art creation in order to surging art history bloom a brilliant luster, as Mr. Lu Xun said," is the only nation in the world".