Pre Processing Acoustic Instruments In Electronic Music

The "new voice" is electronic music since birth, on as one of the major composers of the pursuit. Under the influence of this trend and composers subjective aesthetic factors, multiple levels of sound deformation processing, electronic music creation process to become the main way. In this paper, electronic music acoustic instruments prefabricated object itself, the way it is deformed and development of prefabricated several sound processing, as well as with acoustic instruments and introduced between prefabricated by. In contemporary electronic music creation, music creation using electronic equipment is no longer simply a creative means of creative ways, more acoustic instruments through electronic processing through the motivation to develop. Traditional emphasis composer composer in four parts, namely: composer, harmony, form, orchestration. In the tradition of composers compose more of a focus on the characteristics of the instrument itself sounds sound area through the construction of texture and sound coupled with various permutations and combinations to the creation of music instruments. The use of electronic equipment for the composer and not just the way it is used as a means of making work more to it as an indispensable element of creation-the sounds made by electronic means motive development; composer they change the traditional way of composing, the use of acoustic instruments and acoustic instruments treated as a combination of an expression of the composer, and the electronic equipment treated as a music instrument acoustic instruments expand and develop even extended.The thesis is divided into four chapters. The first chapter first describes the sound envelope and the envelope of the acoustic properties of the instrument in accordance with sound classification. Then the common effect, this is commonly used in electronic music prefabricated effects classification. The second chapter describes two aspects, namely non-interactive and interactive electronic music prefabricated, the two main aspects of pre-production and live performance settings are introduced. The third and fourth chapters mainly the first two chapters of coordinates, respectively, more comfortable "Anthemes2" and non-interactive "Around " This two electronic music works for analysis. In conclusion, let focuses prefabricated acoustic instruments in electronic music works in the role.