Relate And Analyze About Immigration Expression Of Hong Kong Film After1997

Based on immigration expression as the breakthrough point to research on the formal features and cultural significance of Hong Kong film after1997, according to the Western theory of Subject and Post-Colonialism with the addition of identity research about Hong Kong film, focuses on the three dimensions of immigration expression’s image present, constructing mechanism and the deep connotation. The chapter one "Migration imaging----the externalizing projection of immigration expression" sums up immigration expression’s typical symptom of foundling, amnesiac and superfluous man, the image of prostitutes also be mentioned."Immigration envision----constructing mechanism of immigration expression" point out the D-structure of identity from losing to seeking through the view of Auteur theory and time-space dimension teases Hong Kong film’s test, this is the second chapter’s statement. Chapter3is the theories foundation for this thesis, from the cultural causes of immigration expression, discussing imagoes of "floating castle" and "jiang hu" in the culture of Hong Kong, thereby,"harmony in diversity" Expounds value orientation of Hong Kong movie,"The floating castle----multiple connotations of immigration expression" is This chapter’s title, furthermore.