Researcher On Contemporary Paintings Of Guangxi Minority Subjects

Minority theme has always been an inseparable part of Chinese traditional figure painting, Guangxi is rich quantity Baiyue Language, minority ethnic groups, it is " Baiyue " reputation. Today, part of the mountain in Guangxi also retain the traditional cultural practices and beliefs, their unique culture reflected deep in all aspects of local dance, costumes, architecture, life presents simple and natural style becomes exotic ethnic paintings makers rushed object creation performance. Guangxi region to attract minority gathered from across the country were drawn to creative painting, produced many portraits of Guangxi minority themes good works, from a certain angle showing colorful customs Guangxi region face, and the creation of ethnic themes also contributed to the development of Guangxi portraits.In the course of history, the performance of the customs of ethnic minorities portraits seem few and far between. The performance of the works of ancient minority theme is only for the purpose of paintings based on political, let alone on behalf of paintings of the Guangxi region. Before the founding of New China’s Guangxi political confusion, depression, a society in chaos, after the founding of New China, the CPC eliminate bandits, Guangxi portraits development opens the way to the theme of portraits of Guangxi minority works gradually developed. The first chapter is divided into two parts, the first part of the development and the status of ethnic minorities in Guangxi portraits theme of the founding of New China, through the relevant data collection, detailed analysis of the development process in several stages landmark, as well as each stage corresponds to the national social background. The second part of the stage of development combining portraits of Guangxi Characteristics inherent in the works of Guangxi cultural characteristics, focusing on the impact of geographical and cultural characteristics of Guangxi, Guangxi figure painting works, is an integral part of the research process connotation of great significance. The second chapter describes the type of Guangxi minority subjects, divided into two parts. The first part is the creative resources of Guangxi portraits themes can be collected and summarized the results can be collected in the Guangxi region characteristics and classification of resources so that the second part of the creative type characteristic clarity, the analysis for a large number of works can also have a certain understanding. The second part of the chapter as the third most important part of the article, citing a rich number of related works, the main cross-cutting analyzes show featured works from the content analysis and theme ideas, expand around the theme of ethnic minorities in Guangxi instructions, combined with the cultural background of the three-dimensional works of contents show visual effects work. The third chapter describes the development of three performance practices background and characteristics, combined with the second part of the work content analysis of the performance of the work practices and provide guidance for the practice of creative direction. The fourth and final part of the chapter studies the impact as the author of the article writing practice, an important part of the research process on the theme of experience, and learn techniques for performance as well as the author’s own creative practice are investigated, from about Guangxi national early learning themes to creative practice late portraits, both embrace of love and Guangxi ethnic customs of the local peopleFamily tradition of reverence. I could learn and practice on their own creations, hoping to further and further deep in Guangxi Ethnic paintings of the study, to obtain a deeper knowledge and understanding, building with its own distinctive artistic language system in a combination of theory and practice, in order to more good performance Guangxi Ethnic style, to promote national theme paintings of their own modest contribution.