Interpretation Of Capital Space Writing In Song Ci

This paper discusses the capital writing in Song Ci from the spatial perspective. We may research the capital space of Song Ci as a whole to explore in capital space how to show it, and what characteristics, in-depth interpretation of capital space in Song Ci. This paper consists of three parts: introduction, text and conclusion.The first part is the introduction, explains the research status and research significance of this topic, as well as the space theory how to introduce to the research of this thesis.The second part is the main body, is divided into five chapters.The first chapter is the background of capital writing in Song Ci. This paper gives a brief introduction to the development and prosperity of the capital of Song Dynasty. Due to the capital’s development and prosperity of business, the concept, thought, mood and style of the society have changed to enjoy the pleasure of Song Ci. Song Ci poetry has been influenced, and a large number of Song Ci about capital has been emerged.The second chapter analyses capital space elements in Song Ci. According to the morphological characteristics, capital space elements can be divided into two categories, one is the framework of spatial elements, such as the city wall, suburban landscape, gardens, palaces, another kind is scattered spatial elements, such as the pavilion, visitors, bazaar, lantern, cart etc. At the same time, the characteristics of spatial elements is sociality and openness.The third chapter is to generate capital space in Song Ci. We can put scattered spatial elements to establish a complete capital space, through some combination patterns,such as juxtaposition, undertake, contrast, advocate complementary collocation and so on. Of course, this is a complex process of mutual penetration, conversion and effects. In this way, we finish the combination of capital space in poetry of Song Dynasty and the generation process from space elements to the construction of elements.The fourth chapter is the interpretation of the Capital writing in Song Ci from four different perspectives. First is the geographical space and social space of the capital, geography plays a decisive role to the social space and, the geographical space has an important effect on the social space. Second is the Carnival feature of capital space, which is largely due to the rich and colorful city life, perhaps in Lantern Festival, Qingming Festival and the Mid Autumn Festival, the whole town turns out in the journey. Often, this is vividly reflected in Song Ci. Third is the religious and secular collision, religion have considerable development in the Song Dynasty, has far-reaching influence on the creation of Song Ci,and in turn, compared with Europe, it is also a considerable degree of Chinese Religion Secularization.The fouth is the interaction of the palace and folk, the palace is the center of political life,and folk in the capital in the lower level, the benign interaction between the two promote the communication between each other.The fifth chapter is the cultural connotation of space revealed in the capital writing. People’s capital writing revealed the complicated feelings of their connotation,and the cultural space mainly covers three aspects.First is the praise of capital, flourishing occasion, such as the Northern Song Dynasty of political propaganda, the feelings are sincere, and they really love this bustling metropolis. Second is the tangled love of capital, all is good but they must have gone, when left the capital, they showed the reluctant to part. Third is the deep nostalgia, when people come to southern China,capital is no longer exist, so they miss the capital only in the dream. Whether people located in southern China, or as ambassador in Kaifeng, or in Beijing, they have occupied the same feelings of their capital.The third part is the conclusion.