The Influence Of Lu Xun’s Resources To The Works Of Mo Yan

In the history of Chinese modern literature, lu xun represents the existence of modernChinese literature of the soul. His influence was profound, have flourished in China in theface of every writer LuXunShi will present different attitude. Lu xun’s resources for moyan’s novel, there is also a kind of potential impact, mo yan to suck resources to rich thetheme of his works of lu xun’s creation and connotation, mo yan inherit the spirit of lu xunto carry on to expand again at the same time. This article is divided into five aspects todiscuss:First,"wine" in "eating people" image and lu xun’s "eating people" from afar and "eatpeople" new political meaning. Lu xun’s "man-eating" theme in mo yan’s got thebrand-new deduction, play environment, true magic one text set, the consistency of theeerie atmosphere build and borrowed words as well as the two novels have expressedconcern about the child. In addition to similar on the surface, mo yan is inherited lu xun’scritical spirit, but unlike lu xun, mo yan turneth the edge of criticism is not like lu xun,pointing to several thousand years of feudal culture, but points to the can control all of thedeterioration of power.Second,"sandalwood penalty" in description of "looking" in mo yan’s novels arereproduced, criticizes the indifference and selfishness of human nature."Sandalwoodpenalty" of the "rounder" can be divided into the stage of executives and stage under thebystanders, including executives Zhao Jia above the stage, the evil of human nature onZhao Jia reflect incisively and vividly, Stage above by practitioners prisoners sufferedterrible all kinds of punishment, the heroic deeds of the heroes of the act against the rulersfrom the side of human nature selfishness and executioner indifference; Under the stage ofonlookers is not a simple looking, but with relish appreciate, this kind of strong desire towatch is the ugliest side of human nature.Third, mo yan is the most famous with "revenge" as the theme of "moonlight chop", itfully embodies the mo yan for the theme of "revenge" and perception of the creationsubject itself. As the "moonlight chop" in mo yan and lu xun’s casting sword "all is not asimple" revenge "as the final theme of the novel, in which we see the different content ofrevenge, with a deep reflection on" revenge "theme of the show, is to society and theindifference of the world and materialistic society criticism, is also a consideration of thepresent national character.Forth,"the snow beauty" and "kong yiji" reflected "the tragedy of almost nothing" inthe design and detail has a lot of consistent."snow beauty" and "kong yiji" personaltragedy is the tragedy of The Times. The tragedy of, so to speak, they are unable to fight inthe presence of strong social reality tragedy. Lu xun and mo yan to the hero’s life tragedyreflected in the "the tragedy of almost nothing", not only reveals the contradiction is noteasy to detect in different social background, but also left a deep modern enlightenment.Fifth, Q type characters in mo yan’s works, in the study of contemporary novels Qfactor, not only limited to the "typical character in typical environment" or a simple shape,but more should pay attention to the value from the spiritual atmosphere and thought, weshould to track Q spirit from the view of the development of gene in different works indifferent performance., black children, in the transparent carrot Zhao Xiaojia in"sandalwood penalty" and "a buxom of shangguan jintong figures such as hidden Q gene.Lu xun and mo yan through the superb technique of expression, let us in the teasing aglimpse into the life of all.