A Drama Paying Attention To The Reality And Period-the Research Of ShaYeXin’ S Writing Art

Sha Yexin is one of Chinese outstanding dramatists in the new period. In terms of creation, his If I were real, the Curtain has Opened, the Secret History of Marx and Looking for a Man have caused great repercussions in the theatre; Mayor Chen Yi, Jesus. Confucius. The Beatles Lennon, etc have been widely praised in the innovation spirit of art. His works mostly facing the reality, closely related to the politics of the times, reflecting the life of common people, have a positive impact on society; In art, Sha Yexin’s humorous features of language attract a certain audience; And on the cultural identity, inheriting the seventeen years period drama literature and drama creation idea of "service for real political heritage, he is also a new era writer breaking the narrow realistic drama, a dramatist into common people’s entertainment and a writer breaking through the cultural revolution period" forbidden zone " in the new period.His drama creation always stands on the position of people to face the reality and interments in reality. In the creative practice of Sha Yexin, every works points out a realistic theme, such as A penny and Date praising the professional spirit of youth; If I were real criticizes the style of cadres to abuse power for personal gains; Mayor Chen Yi praises the leadership style of upholding the principles, being reasonable and fair, caring about the populace and developing the economy, related to the national economy and people’s livelihood and having positive impacts on the building of the society at that time; In The Searching for a Man, Sha Yexin started from the life of ordinary people, trying to express a deeper philosophical implications, such as highlight the need to find a man backbone of the Chinese nation to support such a subject; In the Curtain has been Opened, Sha Yexin through a non-party people reflects a effective reform of the factory in the context of economic construction, where the Party’s attitude to non-party people should be changed and the Party ought to be meritocracy and draw these excellent non-party people to join the party, criticizing the conservative forces when rejecting non-party people; Jesus. Confucius. The Beatles Lennon from reconstruction of people’s life to the "great man" on the script pays attention to history and reality. Tokyo Moon, Dignity reflect the suffering of students going abroad to study, whose topics performing poorly, his plays beginning towards the world at the moment. On the one hand, Focusing on the Sha Yexin’s drama creation of progress, we also should pay attention to his topics in related to the people life, at the same time, sticking to the social and political problems of thinking, and having the idea of "to be the subject of teaching yourself chests. On the other hand, his writing style is still in line with the obvious "edu-tainment" color, which can’t get rid of inherit from17years literature under the creation of the "literary serve politics". In his describing foreign world, for example the American world of Dignity, with clear author narrow nationalist myth, these features under the background of new era are worth our discussion.Sha Yexin’s play is comedic style which was associated with the witty nature of Sha Yexin, and also about his understanding of Chinese audience aesthetic. He mentioned in the article The History of Comedy,"the Chinese are optimistic, open and bright, famous for their humor in the east, having a Mr Qian relic", so he always pays attention to humor in the process of creation making his works reveal a sense of humol and funny. Sha Yexin’s corrected judgment of China’s audience aesthetic taste is good for his drama audience laying a certain foundation. And what is humor? Sha Yexin said,"humor is an insight into the nature of things, a kind of ability, a kind of insight not only into the nature of things, but also a talent using a comedy way to realize it." Sha Yexin’s plays, in materials, organizing a perfect command of language, in the aspect of narrative rhythm, show the proper processing, in the appropriate place showing wit and humor, which reflect the Sha Yexin insights and creative abilities, so Sha Yexin is a playwright with Rich artistic accumulation. Nevertheless, as the requirements of the times, Sha Yexin’s comedy in the90s did not reach the higher aesthetic level. Sha Yexin’s historical limitations also began to exposure. Subsequently, Sha Yexin as a realistic writer, at the same time, is also a playwright easy to be blindfolded by "popular color". His innate creative idea, literature servicing for the social reality, makes his creative artistic quality not be strong. The importance of drama themes has been above work theme, style and age atmosphere, and political decision was above individual. On creation, lacking the ability of integration of multiple points to look at social problems, planning to solve the consciousness of social problems, grasping involved structural problems and subject choosing, Sha Yexin is lost before the subject having not been established, which cause a history of inevitable limitations.