Artistic Featuresportraits Of Li Boan

Figure painting as a national traditional art, it is in the thousands of years culture onthe basis of the formation and development. Has a unique form of language, reflectthe aesthetic concept of the Chinese nation. Its modelling method, pen and ink skills,thread and color has a unique cultural implication, etc. In the20th century thedevelopment of Chinese ink painting has entered a new stage, in the artist’sexploration to further promote the development of the ink. In recent decades, on thebasis of traditional Chinese painting has experienced great changes, formed thedistinct characteristics of The Times. This change is a contemporary painters of thetraditional culture of digging and creative labor. Li Boan is a painter of Chinesepainting realistic characters during this period, his hundreds of meters long out ofBaYanKaLa, shocked the Chinese painting. He was lonely without smell, rear ofdeath. In contemporary ink figure painting art language of exploration anddevelopment of ink figure painting has always been to "convergence" of Chinese andwestern painting styles, the twists and turns, the breakthrough in the complexenvironment.Realistic significance of ink figure painting style formation, the first is its effect onChinese painting, especially the choice of western realistic painting concept and themodelling method and the fusion, opened up the Chinese ink and wash "versatility"path; Second is its rich vocabulary of ink and wash painting and the development,achieved by the "light of the structure of the show" to "pen and ink structure".In the20th century is the century of reference and fusion of Chinese painting.Xubeihong, Jiang Zhaohe predecessors has carried on the improvement of Chinesepainting is a blend of Chinese and western thought, trial and exploration oninnovation. Today, Li Boan realistic figure painting in the diversified development ofthe road of integration of Chinese and western to find their own direction. Drawlessons from the art forms such as printmaking and sculpture, he formed his uniquepainting art language, his artistic achievement to prove the possibility of a traditionalpen and ink form to the contemporary development, at the same time also shows inthe contemporary, traditional art and western thought and language forms of collisionprocess, as long as it is based on the national culture, to other foreign art form has thechoice of reference, integration, can the development of Chinese painting in the newperiod open up a new path. In a way that is "fusion of Chinese and western" involvedin the modern transformation of Chinese painting, is the age characteristics of art inthe20th century culture phenomenon, become a good example of the contemporaryink figure painting.