| The dissertation researches the historical inheritance anddevelopment of wedding songs, which is beneficial to the excavation of historical materials of the ethnic minorities’ musicalhistory. Meanwhile, the analyzation of the wedding songs’ musical form of the Miao Nationality in La Er Mountain located in the west of Hunan Province can enrich the research of musical form of Miao Nationality and the comparative study across the regions. From the perspective of folklore, the paper looks at the difficult situations of the inheritance and development of the Miao Nationality’ wedding songs that are under the paradigm of the Tianhe musical form, which brings the coherent thinking to the swing of the target and the deviation of the value during the inheritance and development of the Miao Nationality’s weddingsongs. The paper is consisted of three parts, namely, the introduction, the four chapters of the passages and the conclusion.Starting with the historical materials of the Miao Nationality, the first chapter explores the geographical, historical and the cultural effects on the wedding songs of the Miao Nationality in the La Er Mountain located in the west part of the Hunan Province. The second chapter analyzes the historical developm ent and evolution of wedding songs and the wedding customs of the Miao Nationality to the Miao People Uprising during the QianJia Period and then from the period of the Republic of China to the establishment of the People’ s Republic of China. The third chapter analyses the structure of music, melody, rhythms, tones of the wedding songs of the Miao Nationality. The fourth chapter focuses on the development and inheritance of the weddingsongs of the Miao Nationality from the perspective of folkloreand reconsiders the wedding songs from various levels such asthe folklore symptoms, folklore meditation by adhering to the principle of being people-centric, life protection and the overall protection.The paper, analyzing the historical evolution of the wedding songs is favorable to the deeper study of the historical change of the wedding songs by the academic cycle. The meditation of the inheritance and development of the wedding songs from theperspective of folklore pays more attention to the circumstantial analyzation of the wedding songs in different regions, which is beneficial to the comparative study of the wedding songs of the Miao nationality in different regions by the scholars. |