Study On Kirgiz Aken Aytish

As one of the nomadic groups who live on pastures, traditional Kirgizconstantly migrate to different steppes for the best grazing places and have takenthe nomadic culture as their main cultural form for centuries. Aken aytish as abranch of Kyrgyz oral literature, is important to the Kirgiz who are developedin oral literature. It is not only the common spiritual and cultural heritage of theKirgiz, but also this cultural feature that can distinguish them from othernationalities.Aken Aytish is a traditional folk art of Kirgiz People’s, it has been a long history. Themain talent Aken’s performance on improvisation. In duet, two singers used toimprovised words played and sang, a question and answer to things than Xing,played by the King, with beautiful lyrics, skillful and varied playing skills impressedopponents, to please the audience. It is not only an art show, it is a portrayal of theKirgiz people’s lives. Although today’s society has move to the global informationhighway, but Kirgiz Aida Fantasy Art from generation to generation, the vibe is notbad, full of strong vitality, and actively adapt to the development of modern societyneeds is Kirgiz precious heritage of traditional culture. In this paper, China KirgizAida Fantasy Art for a more in-depth exposition, introduced its concept, resulting in aclose relationship context, content and each other. Focuses on contemporary AidaFantasy Kirgiz characteristics, trends, Aken their apprenticeship road, featurescontemporary language and forms characteristic of Aida Fantasy, Aken their situationand so on. In recent years, thriving and prosperous Kyrgyzstan and Kazakhstan held jointly with the International Aken Aytish By Kyrgyzstan ranks next-generationstimulate China Kirgiz their creative enthusiasm inspired their art inspiration. It isworth mentioning that this particular form of these two ethnic folk art blendingtogether on the same platform. In summary, the conditions of China and abroad KirgizAken Aytish has matured and found their own way of development.Introduction section focuses on topics of significance and domestic and foreignresearch situation. The first chapter discusses the concept of Kirgiz Aken Aytish,significance and classification. The second chapter discusses the growth path Aken,the factors affecting Aken Aytish art, Aken and the people of their social status, suchas the evaluation of them. The third chapter focuses on the characteristics and trendsof contemporary Aken Aytish; Chapter IV is difficult and heritage protection andother issues faced by Aken Aytish Art.