The Narrator And The Native Image Of Fei Ming’s Native Fiction

Fei Ming is an innovative author in the history of modern Chinese literature.From the beginning of the1920s to the end before the Founding, his fiction creationalmost throughout the entire three decades of modern literature. Meanwhile, the statusquo of Fei Ming’s fiction is researchers with the readers very unequal. In the newperiod, Fei Ming’s research gradually rised up, the readers of his fiction merely stuckin the minority in the Chinese professional colleges range. This phenomenon ofunequal is the result of different between performance subjects and expression in theFei Ming’s fiction. Native as the performance subjects of traditional Chinese literature,its performance had gradually appeared in ancient times, and gradually produced newchanges in modern literature. After a series of Fei Ming’s defamiliarization processing,traditional native become diversify. Fei Ming applied new expression, found a newimage and meaning in traditional native.From the image of both the narrator and the native perspective, this paperanalyses the changes of the internal narrative of Fei Ming’s fiction,which effect onthe native novels. On the one hand, native become plump as a literary image in hisnovels and native realized the significance of improvement and beyond in his fiction.On the other hand, the choice of narrator for different ways of native narrative reflectsthe growth and cognition of Native writers in aspects of self-expression.The different manifestations of the narrator and the native image in differentperiods of Fei Ming’s fiction ultimately expresses his exploration and excavation inthe manifestations of native literature. By way of changing the narrative, Fei Ming’sfiction achieve the double construction of Native and self-image. Native literaturetowards in the direction of the far-reaching development.