Interactive Video Inheriting Wood-carving Figure Dress Modeling Of Chengzhi Hall

One of the effective ways that cultural heritage to continue and develop was incorporating into the human daily behaviors. Human life needed for experience. In the process of experience to feel and refine knowledge, and using this knowledge to adjust their own practice. Therefore, to the cultural heritage, the most effective protection should be through active participation and creation so that cultural heritage and folk knowledge obtained inheritance. Using digital text, images, video and sound comprehensively recorded cultural heritage was an important method of cultural heritage protection, which was also one of the most effective way. The purpose of protection, however, was to succeed. How to use the digital cultural heritage resources as the basis data was an important research topic of cultural heritage protection. No matter from nowadays’ reading pictures age or ’interactive age’, the unique interactivity, recording and dissemination of interactive video in modern people’s life style should and could become one of the ways in cultural heritage inheritance.As an important part of the ancient village of Hong——world cultural heritage, the Chengzhi Hall was the crystallization of ancient wisdom and culture. The wood-carving of Chengzhi Hall not only had the superb artistry, and was culture of Huizhou people, its character figures was even more explicit expression of the costume. In the study, The character figures apparel modeling of Chengzhi Hall wood-carving as the basis, for the first objective, was through wood-carving theme arranged traditional costume and its culture to provide a reference for fashion and modern fashion design. Second, providing basic data for interactive video to transmit cultural heritage of Hong village. Through interactive video technology to establish contact between characters costumes of Chengzhi Hall wood-carving and modern life style.The body was divided into five parts. First, the selected topic background, significance, research status, innovations and research scheme were discussed. Second, the dress modeling of Chengzhi Hall wood-carving figures was studied, and the apparel modeling and its cultural symbol were explored. Third, the concept and content of interactive video were complemented through empirical analysis and comparative study method. Its form and means were analyzed with apparel modeling of wood-carving figures as content. In artistic form, they included interactive video images, virtual reality and’animation’image. On the inheritance, they included recording, transmission and display. Fourth, with the basic data of being arranged in the second part the design system and display system were practiced by the way of interactive video for digital transmission. Finally, the form and content were thought when summarizing interactive video as a means of cultural heritage. The balance between creation and dissemination of interactive image and its embodying culture content was proposed. Meanwhile, looking to the cultural heritage of the two flows. First, both material and non-material cultural heritage changed to digital. Second, digital cultural heritage changed to physical products with flexible and character.