The Study On Emotional Stories Of Chinese Talent Show

Accompanied by the popular of "The Voice of China","Asian Wave", the hot picks breakinto the people’s vision again, the talent show pay more attention to their own taste and positiveenergy and more convergence from form to content. So we have enough reasons to believe thatthe talent show will be one of the people’s favorite programs in the future. In addition to theproduction of relatively sophisticated and beautiful enjoyment, a good show pays moreattention to the spiritual core and the mainstream values, which mainly depends on the state ofemotional stories. In the current TV market, the emotional story has already become the mostimportant production resources for communicators and the main consumption object ofaudience, This paper is going to research the emotional story which is regarded as" the spiritualcore" of the talent show deeply.The first chapter of the thesis works on a summary of the emotional story mainly from theconcept and characteristics of emotional story. Firstly, we summarize the concept of emotionalstory, that story is the subjective event, which is focused on expressing and conveying emotionby touching, tragic or inspirational events that contain family relationship, friendship and lovein the past of an individual. In order to achieve a certain effect of emotional catharsis andeducate the public, the events need to express through oral or writing. The second sectiondescribes the features of emotional stories: plebification, popularization and generalization.As the extending and deepening research on emotional story of first chapter, we willanalyze the function for deepening the understanding from four aspects in the second chapter,such as program, players, audience and culture. Firstly, the influence function acts on programand player. The paper of a good story can help players shape a fine image and realize doubleharvest in business and culture. Secondly, emotional stories can strengthen emotionalexperience of individuality. The spread of the story will satisfy the people’s shallow emotionalcatharsis and sustenance during the period of social transformation, and then help audienceidentify and finish themselves. Thirdly, the function of emotional stories is embodied in the external construction of social culture. The positive emotional story can prompt theaudience to realize the individual socialization and assist the construction of socialist spiritualcivilization.In the third chapter of paper, we mainly discuss the problems of the talent show’semotional stories. In order to win the audience’s eyeball and win more higher commercialinterests, the program has serious deviation on expression of players and guests’ stories underthe pressure of the ratings. The above behavior lead to three problems, such as, the false ofemotional stories, the imbalance of degree, the lack of humanistic care.In order to cognitive and solve the problem clearly, we discuss elements of stories from thenarrative subject, audience analysis, the transmission carrier of story and the narrativestrengthening in the fourth chapter. The narrative subject is the " main body of statementbehavior", which consists of players, the hosts, the judges and some audience. The discussionon the Audience analysis is mainly from the diversity, self hood, interpretation of audiencepsychology. The transmission carrier means a media which expositor can rely on to passestories to the audience, such as television, internet, newspapers and periodicals. Finally, theauthor analyze the narrative strengthening how to impact the spread of story.Based on improvement of the above theoretical framework, we put forward thecorresponding development strategies which are aimed at the problems in the talent show’semotion stories,Including seeking the balance of the real and virtual in the narrative, preservingthe diversity of narrative methods, adhering to the correct value guidance, strengthening theinteraction with the audience, in order to do something for the development of talent show.