Cognition "museum Information.

The museum developed from West Europe. The meaning of Museum "object"transition from Greece to Rome and changed from public museum to the modernmuseum. What is the core content of the museum? And what is the standard of themuseum collection，how people can practice, study and communication in themuseums? Why the Museum Exhibition develop to this form today? and how thedesigners and curators change the museums’ situation? How to define thecontemporary features of contemporary museums, and how about the relationship ofmuseum and city? As the museum being involved in high-speed information globalcontext, how he positioned himself? The premise of answering these questions is toclarify the basic concept of museum: the variation of text, material object, files andthe exhibitions,they form in different periods, and the observation of how theycommunicate with architectural space and urban space.The transformation of museum is both the start and foothold of this article, whichis also a current situation that I can feel. Due to the complexity and ambiguity of thiscurrent situation, I hope to find some basic concepts to look upon the variation of itsnature, and finally reconstruct the "actual situation" that museums faced theirtransformation in recent years. Therefore, this paper places the argument core on thenature and historical form that museum has been always faced and been dealt with"culture to phenomenon" and "information subject"; In addition, this paper will alsosummarize the presenting appearances in different historic stages of the exhibition and"the cognitive style of museum", and finally will combine the "culture landscape"created by Getty’s Museum and Suzhou Museum in order to reflect what newrevelations are brought for communities, cities and the global contemporary cultureby the museums "in modern times".The museum in21st century needs to break through from the past in the aspectsof utilization of resources, collecting and exhibiting strategies. This paper willreconstruct the current situation of transformation for museum in contemporary erathrough the teasing of concepts, generation of issues, inspecting their connotation andtransformation of meanings.