| China Buddhist art and Buddhism coexist, mutual influence, mutual promotion, Chinese Buddhist art with the need of Buddhism and growth,development, a crucial role to promote the teachings of Buddhism andBuddhist thought. Dunhuang served as the ancient Silk Road is an important transport hub, the splendid Buddhist Art--the Mogao Grottoes in Dunhuang emerge as the times require, as the largest existing Buddhist cave temple ruins, is the world’s most glorious history,more complete preservation of the most abundant content, art, the most exquisite grotto Buddhism art Temple, and12represents the height from fourth century to fourteenth century art achievement China buddhism.According to statistics Dunhuang caves, murals in the caves is the theme music had240, both in the musical content, musical numbers, orle Ji Dance posture, it has very important value in Dunhuang murals.And "flying", as also belong to the performers Lotte the Dharma KaguraKabuki "kalavinka", although the amount is not much, but with the templeof Yue Ji, flying Yueji, metaplasia of Yue Ji, and the Sutra painting Yuejitogether represent the pure land of Buddha world. This paper focuses on the Dunhuang murals, as the Buddha of music "kalavinka" one wordSutra, comes from the transliteration of the Sanskrit kalavinka, also translated as the song Luo, Luo Jie Pinjia Pinjia etc., because of itsbeautiful sound, it is also known as the bird, the bird sounds goodsound, voices of birds, the earliest in the Sui Dynasty in cave401of Mogao Grottoes on the top of the caisson. Kalavinka is a rich and profound cultural connotation and the symbolic significance of Buddhistmusic. This paper attempts to a phenomenon of music aesthetics from the perspective of the image to the Sui and Tang Dynasties, especially the relationship with the thought of Buddhist music. |
