Features Of Contemporary Figure Painting Era Formal Language

Formal language, is the painter to express thoughts and feelings, for the purpose of usingthe drawing tools, through various means of plastic arts, performance creation intention patternof a language. Understand and grasp for every artist painting language is a difficult challenge.This tough challenge is directly related to the vitality of art, appeal, and the success of the artist.Therefore, the formal language will become the eternal subject of painting to explore research.Based on the contemporary ink figure painting as the research object, this paper mainlydiscusses the characteristics of The Times in the context of today’s culture, tries to show the formof ink figure painting language of diversified development.This paper mainly divided into the following several parts:The introduction part is mainly to define the concept of contemporary ink figure painting,and expounds the forms of contemporary ink figure painting language research status as well asthe thesis research purpose and meaning.The first chapter mainly elaborates the language in the form of ink figure painting in theearly20th century. Is the beginning of the20th century Chinese art history the most complex andchange period, the period of Chinese ink figure painting creation begin to emerge from thetraditional to the modern transformation. This chapter in Xu Beihong and Lin Fengmian personalartistic exploration, for example analysis of the contemporary Chinese ink figure painting formthe basis of multilingual, through the analysis of the form of their language characteristics, penand ink and modeling in the fusion.The second chapter mainly elaborated in the context of contemporary ink figure paintingform language of diverse characteristics. In section1of this chapter gives a brief analysis of thecurrent situation of contemporary society and culture, the purpose is to explore the contemporarysocial aesthetic idea and lifestyle change on the influence of ink figure painting creation. Fromfour aspects in section ii of this chapter discusses the language the pluralistic development ofcontemporary ink figure painting forms: one is multiple composition form; The second ischangeful modeling language; Three is rich color performance; Pen and ink form of four isexpanding. Contemporary ink figure painting of some representative painters, for example, will their exploration in the form of language has carried on the simple classification, in order toexpress a view center. Through the analysis of the artist, summarized a common characteristic:they always adhere to the performance in art creation era characteristics and spiritual connotationof the characters, and carries on the innovation in the form of language, exploring his uniquepainting style. Third section in this chapter selected some representative youth ink figure paintersand introduction. Through analysis and study of their works, works of young ink figure painter inthe form of language. Xu Ying, Huang Dan after70is the ink figure painter, their exploration offormal language mainly reflects in: a new interpretation of historical themes; The post-moderninterpretation of female subject.The third chapter is my ideas for future exploration of contemporary ink figure paintingforms. In today’s society is an era of personality and full of tolerance, recognition and variedforms of art. The traditions form of ink figure painting in the process of language to exploreideas and innovation concept is not confrontation, both changes in the collision, the collision ofdevelopment.Conclusion part is the full text of the summary. Ink figure painters in creative insight intoindividual differences, at the same time pay attention to experience reality in today’s societybreath and ethos. They respect the life, to face life, with the time synchronization, teacher, inkfigure painting in the inheritance and creation of new development.