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On The Natural Vals, Vals Chest And Painting Of Transition Reason Vals

Posted on:2014-04-15Degree:MasterType:Thesis
Country:ChinaCandidate:R Y TangFull Text:PDF
GTID:2265330425958259Subject:Chinese painting landscape
Abstract/Summary:PDF Full Text Request
"Natural gully" is can be touched by our sense organ, It has the spatial relationship that consisted of shape.color, quality, the four seasons, the time changes, are directly affect our feelings of it. furthermore, It is a source, other gullies are in accordance with the source and expand its own changes."Chest-Gully" is what we can’t touch by sensory, and the painter poured into their own mind and emotional factors based on the "natural gully", forming image perception of the gully."Ink-gully " is the core value orientation of Chinese painting, is the sublimation of "Natural gully"and "Chest-Gully". It is not only the "modeling means"of the image, or belonging to an artist in particular personalities, especially is our national spirit embodiment under the background of the era culture.From natural gully to the chest gully then to the ink gully,as a Chinese painter, the changes in this process must be payed attention to, although they are "gully", but the content and meaning are different for the painter. So, discriminate the differences and the functions provides a good support for choosing efficient learning style.
Keywords/Search Tags:Natural gully, chest gully, ink gully
PDF Full Text Request
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