Ancient Chinese Painting Birds "things" And "love.

In this world, many relatively higher animal has their own feelings, and the specific expression of the present them in the process of evolution. But to draw their artists, their works are depicted by man’s understanding of nature and painting emotions together. Through the analysis and summary of ancient painterly theory, the author will influence factors of feeling screen birds into three points:the other attitude (temperament refined), text structure and environmental contrast."The famous paintings through the ages" mentioned in "to the shape outside the painting","to the spirit of seeking the painting, while the shape in which Yi","painting special bogey morphology recovery chapter, I very like it, very fine, these concepts and exposed to close", is on the other side."Xuanhe Huapu" said "probably draw people in very many, but a little, is neat; the stroke is too simple, is broad slightly. Refined and made Shu, Jane and satisfied, only to know beyond words." The text structure of each artist is different, the texture of the understanding is not the same. The ancients liked the poetic condensation in the painting, the ancients often say that Wang Wei’s paintings can read poetry, and poetry is painting can taste, so. This is a kind of "heart", because of the spirit, originally simple scene is not simple, is the painter spirit strength performance, so that "put pen to paper and draw back Chi","and Du Fu’s poetic coherent". The author thinks, background contrast, is a process of creation. The ancient word thinking and discusses many of the "environment", we read the painting at the same time, attend to what he felt, to show the "exit", with different forms to in-depth one. It can be said that in the picture, background foil for birds to convey to the reader’s emotion is also important, with King right can increase the picture to convey the spiritual atmosphere.