Spacer · Pushing Hands

This paper will mainly start from their own painting practice perspective, fromthe traditional Jiehua and self creation combining the experience to expand therepresentation in the present context for some thinking and judging thetraditional Chinese painting art. The development of anything depends on the"past " reflection and absorption, tradition is not the past, but not a simplesymbol.This paper discusses the four chapters, the first chapter source in the graduatecreative thinking; by describing the creation motive, the choice of subjectmatter, and creative ideas to show that the traditional understanding andjudgment. The second chapter mainly through the analysis of Chinesetraditional painting type--development of pictures to illustrate the relevanceand their own painting language. The third chapter through the traditionalChinese painting and Western painting with color in comparison to the creationprocess of some experience and understanding of the use of color. The fourthchapter focuses on the development of said ink art in contemporary." Isolation " symbolizes a not far not near distance, to " vibration " an attitude totradition and now in a " push " approach combined with the release, may helpus to a right direction to explore the art of traditional meaning and extension inthe new time vitality.