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Stravinsky's "Piano Etudes" Op.7 Playing Techniques And Musical Analysis

Posted on:2014-03-08Degree:MasterType:Thesis
Country:ChinaCandidate:C X FanFull Text:PDF
GTID:2265330422453843Subject:School of music and dance
Abstract/Summary:
Igor Feodorovi chstravinskiy (1882-1971) American Russiancomposer, conductor. His music style cover a variety of fields, from the early Russianperiod (1905-1919) in the middle of the neoclassical period (1919-1951), and thento the late sequences music period (1951-1971), are influential, was hailed as themusic of "picasso".At present, the retrieved and the relevant research literature on "therite of spring","Peter Rushka" and other Russian ballet, chamber music creation theneoclassical period, and the sequence of late works analysis, few works study relatesto the piano creation field.This will be Stravinsky in the early writing only a set of"Piano Etude" OP.7(1908) as an example, starting from the main technical aspects ofthis work, various technical difficulties in further study of the work involved,combined with the author’s own experience of practice and performance, for exampleis given for the technical training methods.And through the analysis of the style andfeatures in the works of this period, to dig the works at the special value andsignificance of performance level, to provide a reference guide for more alumni intechnical training.
Keywords/Search Tags:The Russian period, only the etudes, technical analysis, the creation characteristic variable
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