Dai Hulusi And Changes Music Tradition

The hulusi is yunnan dai special spring wind instruments, all called "Bi landau", meaning take gourd wind instruments. According to historical records, it is by the bronze reed pipes evolution and transforming into, its historical origin can be traced back to the pre-qin era. The hulusi originated in dehong prefecture in yunnan province known as "the hometown of hulusi" LiangHe county. But along with the development of The Times, the hulusi dai in shape function, instruments, playing techniques, forms, music works, such as inheritance model all aspects of the enormous changes have taken place and development. Its shape function more perfect; It gradually get rid of the instruments family workshop, professional production form the hulusi factory, make the production more tend to standardization and scale; It playing techniques for many other tongue skills and become more complicated; It is the form of the influence of Chinese and western culture gradually tend diversification; Its music works by the influence of the global music the fusion with time gradually changed, and its traditional mode from a single natural traditional mode gradually to mass and professional direction. Nowadays, the hulusi are on high development period, this is because it is one of the characteristics of the dai national minority music metals.it "instrument, that is nice, good-looking, studious, good buy, good band, and in recent years the hulusi and its culture through television, radio, books, network and so on various media to the nation and the world, it not only spread in China become the focus of public concern, but also has an international reputation, and give highly recognition, was known as" Oriental sachs ".This paper mainly LiangHe county dehong prefecture dai hulusi as the research object, on the one hand, the change of the dai national minority hulusi cultural connotation analysis; On the other hand, also for LiangHe county dehong prefecture hulusi heritage status and change in thinking and analysis, the cucurbit flute in LiangHe county change development put forward its own proposals.Based on the LiangHe county dehong prefecture the general situation and the traditional dai hulusi historical development are summarized, highlighted the hulusi originated in LiangHe dehong prefecture and county has a long history and culture, beautiful legends and folk artists. Then, the author to the traditional hulusi shape, playing techniques, music tune, performance form and the traditional culture of the dai nationality relationship between objective, this chapter discusses the comprehensive points out that the traditional dai hulusi by traditional inheritance model restriction and there are many mutual involvement development characteristics, such as range narrow, production process rough, music melody and performance characteristics of the single form. At the same time, this chapter also put forward special traditional dai dai hulusi and traditional culture is closely linked.The author from the dai national minority hulusi shape, type, production process and playing techniques specific about the change of cucurbit flute. The dai national minority hulusi ontology are mainly affected by the change of foreign new technology and new materials, and the influence of new type of dai nationality in the hulusi, easy to use, stable performance, as well as the skills of development. Such as the increase of the dai nationality cucurbit flute sound hole that range broadening, draw lessons from sheng and bamboo flute "ShuangTu","SanTu" playing skills, making the hulusi reeds used brass standard batch production, can use a variety of material production gourd, which also makes the dai national minority hulusi species increased.The author is from the form of music works and talk about the change of the dai nationality in the hulusi development. The hulusi music works, on the one hand, the development of production technology and by playing techniques development, on the other hand is also affected by the impact of foreign music culture, make the hulusi music works in keep original characteristics on the basis of the creation of the pursuit of more new forms and performance form, many different types of music (whether classical music or popular music) are adapted to the hulusi solo, there are also many specifically for the creation of the hulusi music was born. And the hulusi performance form and more diversity, such as solo, ensemble and traditional instruments orchestra orchestra, etc.Firstly the hulusi above change characteristics of the development of the dai nationality to LiangHe county hulusi traditional mode and social function change analysis. LiangHe county dai hulusi inheritance mode through the family inheritance, the nature of the inheritance of traditional inheritance model, the development of the society popularization education and professional music education inheritance mode, this is also and other art forms of inheritance model of similar. And its social function LiangHe county by dai production and living environment by the influence of men and women love function and entertainment function gradually developed to the aesthetic function, the education function, the health care function, ethnic identification and product function. The dai national minority hulusi social function changes by people of different social needs the influence of the change. The author finally, according to the change of the dai nationality LiangHe county hulusi status quo, the development Suggestions were also put forward. Such as the need to put forward the hulusi dai production technology for protection, at the same time, mass culture inheritance, and through the aspects of promoting the development of the hulusi, such as the development of the tourism industry the hulusi, stimulation, multimedia publicity, etc.This paper USES the method of ethnomusicology fieldwork, the overall approach and the review of the hulusi material research, from the perspective of sociology of the dai nationality LiangHe county hulusi and cultural change was analyzed. At present the hulusi music works in playing techniques and discusses more, for LiangHe county local dai hulusi changes very little research. The author through to existing hulusi academic achievements of the arrangement and analysis of the dai nationality in the hulusi history development change, the objectives of the study was to investigate on the one hand and the change of the dai nationality LiangHe county hulusi and contains cultural change. On the other hand, also hope that through the study of dai hulusi change to the point of the cover to explore the dai national minority music with The Times change reason, and then make people more understanding of the dai nationality LiangHe county hulusi development course, and finally make the dai national minority cucurbit flute better protection and inheritance of down.